| Issue | Title | |
| No 3 (2024): Russian Musicology | Music Score Publishing Companies in the Second Half of the 19th and Early 20th Centuries: The Price Lists of the “P. Jurgenson” Music Sales Company (From the Collection of the Russian State Library) | Abstract PDF |
| Olga V. Radzetskaya | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | Music Theory and Musical Psychology: Quests and Discoveries | Abstract PDF |
| Elena M. Alkon | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Musical Communication in the Aspect of Rhetorical Canon | Abstract PDF |
| Polina S. Volkova, Liyang Wu, Xiangze Wu | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Musical Ekphrasis and the Prospects of Intermedial Research | Abstract PDF (Russian) |
| Tatiana V. Tsaregradskaya | ||
| No 3 (2025): Russian Musicology | Musical Ekphrasis and the Prospects of Intermedial Research | Abstract PDF |
| Tatiana V. Tsaregradskaya | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Musical Quotation as a Semantic Factor in the Cinematic Texts of the 20th and 21st Centuries (by the Example of Johannes Brahms’ Rhapsody opus 79 No. 2) | Abstract PDF (Russian) |
| Anastasia A. Komarova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Musical Scales with Pythagorean Intervals | Abstract PDF (Russian) |
| Sergei S. Nikolsky | ||
| No 3 (2024): Russian Musicology | Musical Scholarship of the “Golden Age” of Qing Dynasty Based on 17th and 18th Centuries Books and Treatises | Abstract PDF |
| Fu Xiaojiao | ||
| No 4 (2024): Russian Musicology | Musical Terminology in 19th Century Russian Tutorial Translated Editions | Abstract PDF |
| Elena S. Derunets | ||
| No 4 (2025): Russian Musicology | Musical Thanatos: The Theme of Death in Vladimir Martynov’s and Alexander Bakshi’s Music | Abstract PDF |
| Olga B. Elkan | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Musical-Poetic Symbols of Hymns in the Formation of Behavioral Culture | Abstract PDF (Russian) |
| Nikolai N. Chernogor, Alexander S. Emelyanov, Guzel M. Aznagulova | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Musicology: “Knowledge about Lack of Knowledge” – Setting and Solving Problems | Abstract PDF (Russian) |
| Natalia S. Gulanitskaya | ||
| No 3 (2025): Russian Musicology | Musicology: “Knowledge about the Lack of Knowledge” — Setting and Solving Problems | Abstract PDF |
| Natalia S. Gulyanitskaya | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Mythological Models and Ritual Forms in Contemporary Musical Theater Performance | Abstract PDF (Russian) |
| Elena V. Kiseyeva, Vera N. Dyomina | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Neo-Baroque Concertizing in the Works by Russian Composers of the Final Quarter of the 20th Century | Abstract PDF (Russian) |
| Maria N. Ostanina, Svetlana S. Goncharenko | ||
| No 4 (2025): Russian Musicology | New Biographical Data about Piano Makers John Conrad Becker (London) and Yakob Davidovich Becker (St. Petersburg) | Abstract PDF |
| Maxim V. Sergeev | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | New Romanticism in Danish Music: about the Artistic Method of Bent Sørensen | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 2 (2025): Russian Musicology | New Strings Gather at the Pear Garden to Evoke the Sound of Unmatched Beauty: The National Sound-Dramatic Rhetorics of Jia Daqun’s Liyuan | Abstract PDF |
| Dandan Wang | ||
| No 4 (2024): Russian Musicology | Nicola Sala’s Regole del contrappunto pratico (1794): History, Theory, and Practice | Abstract PDF |
| Anastasia I. Maslova | ||
| No 1 (2025): Russian Musicology | Nikolai Korndorf’s Compositions in Alexander Ivashkin’s Repertoire | Abstract PDF |
| Yuliya N. Panteleeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Nikolai Myaskovsky on the Pages of the Journal “Sovetskaya Muzyka” During the Years 1933–1951: Content Analysis | Abstract PDF (Russian) |
| Natalia A. Gorbunova | ||
| No 4 (2024): Russian Musicology | Nikolai Rimsky-Korsakov’s Third Textbook in Alexander Ossovsky’s Notes: Concerning the History of the Formation of the St. Petersburg School of Music Theory | Abstract PDF |
| Tamara I. Tverdovskaya, Alla I. Yankus | ||
| No 4 (2025): Russian Musicology | On the Similarity of the Principles of Church Singing Interpretation of the Sequentia and the Bezstrochen in Western European and Russian Hymnography | Abstract PDF |
| Svetlana A. Pavlova | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Opera as Reflected in Russian Academic Periodicals of the Last Five Years | Abstract PDF PDF (Russian) |
| Irina P. Susidko, Pavel V. Lutsker, Nina V. Pilipenko | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Opera Criticism in Russia in the Early 21st Century: Constructing the (Non-) Soviet Style | Abstract PDF |
| Lyubov A. Kupets | ||
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