| Issue | Title | |
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Productions of Camille Saint-Saens’ Opera “Henry VIII” on the Russian Stage in the Late 19th and Early 20th Centuries: A Dialogue of the Cultures of Russia and France | Abstract PDF (Russian) |
| Zoya N. Knyaz | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Quotations from Brahms’s Piano Music in the Context of the Metamodernist Trends in 21st Century Cinema | Abstract PDF (Russian) |
| Anastasia A. Komarova | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | Review of the Book: Solodovnikova N. G., Sorokina E. A. Emotive Linguoecology of Modern and Ancient Texts. Volgograd: Peremena, 2021. 270 p. | Abstract PDF |
| Polina S. Volkova | ||
| No 4 (2024): Russian Musicology | Revisiting Musical Semiotics: Returning to Greek Stoic Definitions | Abstract PDF |
| Ildar D. Khannanov | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Rhyme and Rappability: Synthetic Isochrony in Russian and English on the Example of Lermontov | Abstract PDF |
| Thomas Beavitt | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Rodion Shchedrin’s Opera “Lolita”: About the History of the Perm Production | Abstract PDF (Russian) |
| Svetlana M. Platonova | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Russian Wikipedia vs Great Russian Encyclopedia: (Re)construction of Soviet Music in the Post-Soviet Internet Space | Abstract PDF |
| Lyubov A. Kupets | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Sampling as a Process of Integration of New Technologies in the Musical Culture of Kazakhstan | Abstract PDF (Russian) |
| Olzhas M. Baibekov, Meruert S. Kurmangalieva | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Scholarly and Academic-Methodological Activities of the Gnesins’ State Musical Pedagogical Institute and the Political Events of the Second Half of the 1940s | Abstract PDF |
| Tatiana I. Naumenko | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Screen Images in Contemporary Opera: Concerning the Issue of the Genre’s Renewal at the Turn of the 20th and 21st Centuries | Abstract PDF (Russian) |
| Elena V. Kiseyeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Selected Attributes of Music and Musical Instruction in Slovakia During the Classical Period | Abstract PDF |
| Maria Strenacikova Sr., Maria Strenacikova Jr. | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Semantic and Structural Potential of Autoreferentiality in the Music of Bent Sørensen | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Sergei Prokofiev’s Music for Mikhail Romm’s Film The Queen of Spades | Abstract PDF (Russian) |
| Yang Yu | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | Sergei Rachmaninoff. The Prelude in C-sharp minor Opus 3 No. 2: Jazz Band Versions in the Swing Era | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Sergei Taneyev’s String Quartets in the Aspects of Interaction of Texture and Genre | Abstract PDF (Russian) |
| Tatiana N. Krasnikova | ||
| No 4 (2024): Russian Musicology | Simon Steen-Andersen — a Composer of the Postmodernist Era | Abstract PDF |
| Tatiana V. Tsaregradskaya | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Society as the Paradigm of 20th Century Art (on the Materials of Sergei Prokofiev’s Music) | Abstract PDF |
| Alexander I. Demchenko | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Sound Design as an Educational Trend of Higher Education: Issues and Perspectives | Abstract PDF (Russian) |
| Irina B. Gorbunova, Svetlana V. Mezentseva | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Sound Drama: Stylistic Features and the Experience of Presentation in Early 21st Century Russian Art | Abstract PDF (Russian) |
| Marina L. Zaitseva, Yankelika I. Sushkova-Irina, Anatoly V. Budanov | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Sound Metaphors in Audiovisual Advertising: Musical and Cross-Linguistic Research on Sound Metaphor | Abstract PDF |
| Manuel Palencia-Lefler | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Soviet Musicology: Pro et Contra. Work on Archival Materials from the Soviet Era | Abstract PDF (Russian) |
| Tatiana I. Naumenko | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Specific Features of Work with the Poetic Text in the Post-Opera (by the Example of Tan Dun’s Opera Marco Polo) | Abstract PDF (Russian) |
| Elena V. Kiseyeva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Spirituality in the Aspect of Art | Abstract PDF (Russian) |
| Polina S. Volkova, Viktor I. Shakhovsky | ||
| No 2 (2025): Russian Musicology | Starry Sky Lightens the Hearts of Music Lovers | Abstract PDF |
| Gu Ben | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Strophic and Sonata Form in the Italian Opera Aria of the 1720s and the 1730s | Abstract PDF PDF (Russian) |
| Pavel V. Lutsker, Irina P. Susidko | ||
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