No 1 (2026)

Russian Musicology

DOI: https://doi.org/10.56620/RM.2026.1

Full Issue

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Table of Contents

History and Theory of Music

Russian Musicology after 1991: The Chief Scholarly Trends
Tatiana I. Naumenko
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5-19
History of Music: From the Source to Interpretation (Based on Materials from Russian Scholarly Periodicals of the Last Three Years)
Irina P. Susidko, Nina V. Pilipenko
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20-32
The Role of Mentality in Understanding Musical-Theoretical Definitions (On the Example of Timbre and Texture Analysis in the Works of Chinese Musicologists)
Cui Xiwen, Alexandra V. Krylova
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33-44
Between Cantus Firmus and Pervasive Imitation: Features of Working with Liturgical Sources in Early Tudor Composers Motets
Gleb A. Konkin
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45-60

Cultural Heritage in Historical Perspective

Modern Response of the People’s Soul: Broadcasting and Exploring Sibelius’ Music in Finland over the Last Decade
Zhao Ge
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61-74

Dialogue of Cultures

Pyotr Tchaikovsky: The Composer’s Circle of Virtual and Real Communication
Shao Mengqi
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75-87

Contemporary Musical Art

British Choral Music in the Last Third of the 20th Century: Outcomes of the English Musical Renaissance
Alexander S. Ryzhinsky
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88-103
Time, Tradition, Author: Artistic Concepts of the Piano Concerto by Alexey Krasheninnikov
Anna G. Chupova
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104-118
On the Significance of the Composer’s Comments in the Scores of Guo Zurong’s Piano Concertos (On the Example of the Sixth Piano Concerto Ode to the Plum Blossom)
Cui Xiwen
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119-131

Performing Arts

Russian Music in Marc-André Hamelin’s Performing Practice (Part 2): Nikolai Medtner’s Sonatas
Irina I. Sukhorukova
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132-149
Supported Singing as a Phenomenon of Vocal Technique: Research and Methodological Perspective
Sara Vujošević Jovanović, Dmitry N. Grinikh
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150-162

From the History of the Musical Culture of Russia

Artistic Aspects of Russian Music Publishing in the Second Half of the 19th – Early 20th Century: M.P. Belaieff, Leipzig
Olga V. Radzetskaya
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163-173