Full Issue
| View or download the full issue | FULL ISSUE № 1 2026 |
Table of Contents
History and Theory of Music
| Russian Musicology after 1991: The Chief Scholarly Trends | |
| Tatiana I. Naumenko | 5-19 |
| History of Music: From the Source to Interpretation (Based on Materials from Russian Scholarly Periodicals of the Last Three Years) | |
| Irina P. Susidko, Nina V. Pilipenko | 20-32 |
| The Role of Mentality in Understanding Musical-Theoretical Definitions (On the Example of Timbre and Texture Analysis in the Works of Chinese Musicologists) | |
| Cui Xiwen, Alexandra V. Krylova | 33-44 |
| Between Cantus Firmus and Pervasive Imitation: Features of Working with Liturgical Sources in Early Tudor Composers Motets | |
| Gleb A. Konkin | 45-60 |
Cultural Heritage in Historical Perspective
| Modern Response of the People’s Soul: Broadcasting and Exploring Sibelius’ Music in Finland over the Last Decade | |
| Zhao Ge | 61-74 |
Dialogue of Cultures
| Pyotr Tchaikovsky: The Composer’s Circle of Virtual and Real Communication | |
| Shao Mengqi | 75-87 |
Contemporary Musical Art
| British Choral Music in the Last Third of the 20th Century: Outcomes of the English Musical Renaissance | |
| Alexander S. Ryzhinsky | 88-103 |
| Time, Tradition, Author: Artistic Concepts of the Piano Concerto by Alexey Krasheninnikov | |
| Anna G. Chupova | 104-118 |
| On the Significance of the Composer’s Comments in the Scores of Guo Zurong’s Piano Concertos (On the Example of the Sixth Piano Concerto Ode to the Plum Blossom) | |
| Cui Xiwen | 119-131 |
Performing Arts
| Russian Music in Marc-André Hamelin’s Performing Practice (Part 2): Nikolai Medtner’s Sonatas | |
| Irina I. Sukhorukova | 132-149 |
| Supported Singing as a Phenomenon of Vocal Technique: Research and Methodological Perspective | |
| Sara Vujošević Jovanović, Dmitry N. Grinikh | 150-162 |
From the History of the Musical Culture of Russia
| Artistic Aspects of Russian Music Publishing in the Second Half of the 19th – Early 20th Century: M.P. Belaieff, Leipzig | |
| Olga V. Radzetskaya | 163-173 |