Full Issue
View or download the full issue | FULL ISSUE № 2 2025 |
Table of Contents
In Memory of a Colleague
“Valya Kholopova Loves Music Tremendously…” An Interview Written in the Form of a Monologue | |
Tatiana I. Naumenko | 6-12 |
“Star of the Russian Musicological Firmament...” The Milestones of Tamara Levaya’s Intellectual Path | |
Tatiana B. Sidneva | 13-22 |
Cultural Heritage in Historical Perspective
The Soviet Song Heritage of World War II: From Inertia to Intention | |
Yaroslav V. Gloushakov | 23-30 |
The Image of Kuma from Pyotr Tchaikovsky’s The Enchantress in Contemporary Opera Productions: Concerning the Question of Musical Rossica | |
Mengqi Shao | 31-47 |
Musical Genre and Style
Mozart and Mendelssohn: The Sonata da chiesa — a “Phoenix” of Baroque Forms | |
Ekaterina I. Porizko | 48-56 |
Studies by Moritz Moszkowski op. 72: Towards a Formulation of the Problem of the Instructional Genre | |
Elias R. Khananov | 57-68 |
Musical Theater
From Nono’s Prometeo to Ferneyhough’s Shadowtime: An Evolution of the Idea of the “Dramma in Musica” | |
Alexander S. Ryzhinsky | 69-81 |
Musical Culture of the Peoples of the World
The Concept of Ethnomusical Regionalism of the East Slavs: Formation and Current State | |
Larisa M. Belogurova | 82-89 |
Musical Culture of China
The Programmatic Character of Music as a Marker of the National Specificity of the Piano Concerto Genre in Guo Zurong’s Music | |
Xiwen Cui | 90-100 |
New Strings Gather at the Pear Garden to Evoke the Sound of Unmatched Beauty: The National Sound-Dramatic Rhetorics of Jia Daqun’s Liyuan | |
Dandan Wang | 101-120 |
Starry Sky Lightens the Hearts of Music Lovers | |
Gu Ben | 121-129 |
From the History of the Musical Culture of Russia
Music Publication Catalogues and Music Journals in Russia in the Second Half of the 19th and the Early 20th Century: Features of Advertising and Marketing Interaction | |
Olga V. Radzetskaya | 130-140 |