No 2 (2025)

Russian Musicology

DOI: https://doi.org/10.56620/RM.2025.2

Full Issue

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Table of Contents

In Memory of a Colleague

“Valya Kholopova Loves Music Tremendously…” An Interview Written in the Form of a Monologue
Tatiana I. Naumenko
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6-12
“Star of the Russian Musicological Firmament...” The Milestones of Tamara Levaya’s Intellectual Path
Tatiana B. Sidneva
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13-22

Cultural Heritage in Historical Perspective

The Soviet Song Heritage of World War II: From Inertia to Intention
Yaroslav V. Gloushakov
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23-30
The Image of Kuma from Pyotr Tchaikovsky’s The Enchantress in Contemporary Opera Productions: Concerning the Question of Musical Rossica
Mengqi Shao
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31-47

Musical Genre and Style

Mozart and Mendelssohn: The Sonata da chiesa — a “Phoenix” of Baroque Forms
Ekaterina I. Porizko
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48-56
Studies by Moritz Moszkowski op. 72: Towards a Formulation of the Problem of the Instructional Genre
Elias R. Khananov
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57-68

Musical Theater

From Nono’s Prometeo to Ferneyhough’s Shadowtime: An Evolution of the Idea of the “Dramma in Musica”
Alexander S. Ryzhinsky
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69-81

Musical Culture of the Peoples of the World

The Concept of Ethnomusical Regionalism of the East Slavs: Formation and Current State
Larisa M. Belogurova
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82-89

Musical Culture of China

The Programmatic Character of Music as a Marker of the National Specificity of the Piano Concerto Genre in Guo Zurong’s Music
Xiwen Cui
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90-100
New Strings Gather at the Pear Garden to Evoke the Sound of Unmatched Beauty: The National Sound-Dramatic Rhetorics of Jia Daqun’s Liyuan
Dandan Wang
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101-120
Starry Sky Lightens the Hearts of Music Lovers
Gu Ben
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121-129

From the History of the Musical Culture of Russia

Music Publication Catalogues and Music Journals in Russia in the Second Half of the 19th and the Early 20th Century: Features of Advertising and Marketing Interaction
Olga V. Radzetskaya
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130-140