Full Issue
| View or download the full issue | FULL ISSUE № 4 2020 (Russian) Abstracts Contributors |
Table of Contents
Horizonts of Musicology
| About the Theory of National Music: Towards a Methodology of Comparative Study of Musical and Poetic Folklore Systems | PDF (Russian) |
| Mikhail G. Kondratyev | 8-19 |
| The Complex Model of the Semantic Space of Music: Structure and Features | PDF (Russian) |
| Irina B. Gorbunova, Mikhail S. Zalivadny | 20-32 |
Musical Cultures of Russia
| Concerning the Issue of Studying the Specific Features of Intonating in the Finnish-Ugric Monody of the Improvisational Kind | PDF (Russian) |
| Svetlana V. Kosyreva | 33-49 |
| The Genre-Related and Stylistic Explication of the Song Tradition of the Belgorod Region: The Regional Aspect | PDF (Russian) |
| Mikhail S. Zhirov, Natalia S. Kuznetsova, Olga Ya. Zhirova, Tatiana A. Selyukova | 50-58 |
Sacred Music
| The Inexhaustible Resources of Church Art | PDF (Russian) |
| Galina V. Alekseeva | 59-67 |
Music in the System of Culture
| A Unique Epoch of European Civilization. Towards the 250th Anniversary of Beethoven’s Birth | PDF (Russian) |
| Alexander I. Demchenko | 68-76 |
| Mythological Models and Ritual Forms in Contemporary Musical Theater Performance | PDF (Russian) |
| Elena V. Kiseyeva, Vera N. Dyomina | 77-87 |
| The Eleventh Olympic Games In the Context of the Formation of the Art of Performance | PDF (Russian) |
| Vera N. Dyomina | 88-96 |
International Division
| The Cultural Arts Centre at Tumaini University Makumira in Tanzania: Educational Research in Action | |
| Randall N. Stubbs, Yen-Lin Goh | 97-113 |
| The Musical Culture of the Tatars of the Early 20th Century: Ilyasbek Kudashev-Ashkazarsky | |
| Idris M. Gaziev | 114-122 |
| Principles of Tonal Organization in Alexander Scriabin’s Works after Op. 58 | |
| Michael Kaykov | 123-129 |
| Alexander Nemtin’s Concerto for Organ | |
| Anton A. Rovner | 130-144 |
Conferences
| The International Asian-Pacific Island Conference on Musical Therapy in Beijing: A New Measuring Reference | PDF (Russian) |
| Alla V. Toropova, Wolfgang Mastnak | 145-157 |
History of Western Music
| Concerning the Issue of the Main Protagonist in 17th Century Italian Oratorio | PDF (Russian) |
| Grigory R. Konson | 173-186 |
Theory and History of Culture
| Spirituality in the Aspect of Art | PDF (Russian) |
| Polina S. Volkova, Viktor I. Shakhovsky | 187-198 |
National Musical Cultures
| Concerning the Issue of Musical Self-Organization of Epic Art (by the Example of the Azerbaijani Heroic Epos) | PDF (Russian) |
| Kamila H. Dadash-zade | 199-205 |
| Folk Music Revival and Contemporary Tendencies of the National Traditions of Kazakhstan’s Musical Culture | PDF (Russian) |
| Sajana S. Murzaliyeva, Galiya T. Akparova | 206-216 |
| The Contemporary Kobyz School of Kazakhstan (Concerning the Issue of Historical Connections and Perspectives) | PDF (Russian) |
| Aigerim A. Karsakbayeva, Raushan K. Jumaniyazova | 217-224 |
Musical Genre and Style
| The Vocal Symphony in the Interpretation of Leif Segerstam and Pehr Henrik Nurdgren | PDF (Russian) |
| Irina V. Koposova | 225-240 |
Performing Arts
| “Il Mio Tesoro” by Wolfgang Amadeus Mozart: The Individual Features of Breath Control by Tenor Singers upon Performance of Vocalizations | PDF (Russian) |
| Vsevolod E. Kuzmin | 241-249 |
Music Theory
| The Interaction of the Tonal-Harmonic and the Monodic Principles in the Melodicism of Anton Bruckner (by the Example of the Andante from the Fourth Symphony) | PDF (Russian) |
| Yuri K. Zakharov | 250-257 |
| Modal Archetypes in the Traditional Music of the Buryats | PDF (Russian) |
| Lidiya D. Dashieva | 258-265 |
From the Editorial
| About the corrections and specifications to Eylem Arıca’s article “A Brief Narrative of the Third Position as the Initial Position for Beginning-Level Violin Instruction” | PDF (Russian) |
| 266 |