| Issue | Title | |
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Scholarly and Academic-Methodological Activities of the Gnesins’ State Musical Pedagogical Institute and the Political Events of the Second Half of the 1940s | Abstract PDF |
| Tatiana I. Naumenko | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Screen Images in Contemporary Opera: Concerning the Issue of the Genre’s Renewal at the Turn of the 20th and 21st Centuries | Abstract PDF (Russian) |
| Elena V. Kiseyeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Selected Attributes of Music and Musical Instruction in Slovakia During the Classical Period | Abstract PDF |
| Maria Strenacikova Sr., Maria Strenacikova Jr. | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Semantic and Structural Potential of Autoreferentiality in the Music of Bent Sørensen | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Sergei Prokofiev’s Music for Mikhail Romm’s Film The Queen of Spades | Abstract PDF (Russian) |
| Yang Yu | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | Sergei Rachmaninoff. The Prelude in C-sharp minor Opus 3 No. 2: Jazz Band Versions in the Swing Era | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Sergei Taneyev’s String Quartets in the Aspects of Interaction of Texture and Genre | Abstract PDF (Russian) |
| Tatiana N. Krasnikova | ||
| No 4 (2024): Russian Musicology | Simon Steen-Andersen — a Composer of the Postmodernist Era | Abstract PDF |
| Tatiana V. Tsaregradskaya | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Society as the Paradigm of 20th Century Art (on the Materials of Sergei Prokofiev’s Music) | Abstract PDF |
| Alexander I. Demchenko | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Sound Design as an Educational Trend of Higher Education: Issues and Perspectives | Abstract PDF (Russian) |
| Irina B. Gorbunova, Svetlana V. Mezentseva | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Sound Drama: Stylistic Features and the Experience of Presentation in Early 21st Century Russian Art | Abstract PDF (Russian) |
| Marina L. Zaitseva, Yankelika I. Sushkova-Irina, Anatoly V. Budanov | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Sound Metaphors in Audiovisual Advertising: Musical and Cross-Linguistic Research on Sound Metaphor | Abstract PDF |
| Manuel Palencia-Lefler | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Soviet Musicology: Pro et Contra. Work on Archival Materials from the Soviet Era | Abstract PDF (Russian) |
| Tatiana I. Naumenko | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Specific Features of Work with the Poetic Text in the Post-Opera (by the Example of Tan Dun’s Opera Marco Polo) | Abstract PDF (Russian) |
| Elena V. Kiseyeva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Spirituality in the Aspect of Art | Abstract PDF (Russian) |
| Polina S. Volkova, Viktor I. Shakhovsky | ||
| No 2 (2025): Russian Musicology | Starry Sky Lightens the Hearts of Music Lovers | Abstract PDF |
| Gu Ben | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Strophic and Sonata Form in the Italian Opera Aria of the 1720s and the 1730s | Abstract PDF PDF (Russian) |
| Pavel V. Lutsker, Irina P. Susidko | ||
| No 2 (2025): Russian Musicology | Studies by Moritz Moszkowski op. 72: Towards a Formulation of the Problem of the Instructional Genre | Abstract PDF |
| Elias R. Khananov | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Swing Era’s Jazzing the Classics: Pro et Contra | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Symphonic Explorations in Finnish Music during the 1960s: Arabescata by Einojuhani Rautavaara and Henrik Otto Donner’s First Symphony | Abstract PDF (Russian) |
| Irina V. Koposova | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Synaesthesia of Sergei Parajanov’s Works (a Director’s Musical and Artistic Consciousness) | Abstract PDF |
| Polina S. Volkova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Synthesis of Cultural Forms as the Key Paradigm of the Postmodern and Metamodern Eras | Abstract PDF (Russian) |
| Nadezhda A. Tsareva, Valery E. Kuleshov | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Tan Dun’s Conception of Organic Music | Abstract PDF (Russian) |
| Linji Zhu | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | Technologies and Music: The Department of Computerization of Musical Activities at the Novosibirsk Conservatory | Abstract PDF (Russian) |
| Pavel A. Michkov | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Academic Activities of the Gnesins’ State Musical-Pedagogical Institute During the First Ten Years of its Work | Abstract PDF |
| Tatiana I. Naumenko | ||
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