Full Issue
| View or download the full issue | FULL ISSUE № 2 2021 (Russian) ABSTRACTS CONTRIBUTORS |
Table of Contents
Horizonts of Musicology
| Mobile Forms in Architecture, Painting and Music as a Paradigm of the Contemporary Spatial Image of the World | PDF (Russian) |
| Marina V. Pereverzeva, Tatiana V. Ashutova, Ekaterina Yu. Ivanova, Elena A. Fedeneva | 8-21 |
| Monody as an Object of Study of Cognitive Ethnomusicology | PDF (Russian) |
| Svetlana V. Kosyreva | 22-33 |
| The Far-Eastern Ritual “Bear Holiday” in the Space of Computer Musical Technologies | PDF (Russian) |
| Irina B. Gorbunova, Svetlana V. Mezentseva | 34-42 |
Music in the System of Culture
| Musical-Poetic Symbols of Hymns in the Formation of Behavioral Culture | PDF (Russian) |
| Nikolai N. Chernogor, Alexander S. Emelyanov, Guzel M. Aznagulova | 43-57 |
| Peculiarities of the Sound Space of Ritual Actions in Richard Schechner’s Theatrical Performance “Dionysos-69” | PDF (Russian) |
| Vera N. Dyomina | 58-66 |
| Three “Arkaim” Ballets: The Legendary Past of the Southern Urals in Contemporary Musical Culture | PDF (Russian) |
| Sergei S. Sokovikov, Elena A. Kaminskaya | 67-77 |
| The Musical Life of Transboundary Altai as an Expression of Universal Spiritual Values in the Contemporary Dialogue of Cultures | PDF (Russian) |
| Alexander G. Rossinsky, Kirill V. Rodin, Olesya S. Mikhaylova, Ekaterina A. Rossinskaya | 78-85 |
Musical Culture of the Peoples of the World
| The Chinese Bamboo Flute: History and Constructive Traits | PDF (Russian) |
| Yan Yi Ji | 86-93 |
Kazakhstan: Musical Creativity and Education
| Oratorio Compositions by Composers in Kazakhstan | PDF (Russian) |
| Dilara T. Karekenova | 94-100 |
| Preparation of Musical Pedagogy in Teachers’ Training Courses in Kazakhstan in the Last Quarter of the 19th and Early 20th Century | PDF (Russian) |
| Gulnara B. Argingazinova, Gulzada A. Khussainova, Inna S. Kobozeva | 101-110 |
International Division
| Sound Metaphors in Audiovisual Advertising: Musical and Cross-Linguistic Research on Sound Metaphor | |
| Manuel Palencia-Lefler | 111-123 |
| Lareh Koto Piliang: Systems of Governmental Power and Bronze Music in the Study of the Concept of Musical Aesthetics in Luhak Nan Tigo Minangkabau | |
| Andar Indra Sastra, Wilma Sriwulan, Ediwar Caniago, Asril Muchtar, Asep Saepul Haris | 124-137 |
| About the Peculiarities of Form Generation in the Adyghe Epic Genre | |
| Beslan G. Ashkhotov | 138-147 |
| José Soler Casabón and his Ballet L’Homme sans yeux, sans nez et sans oreilles and his Poetry Fonds Perdu | |
| Sandra Soler Campo | 148-155 |
| Russian Wikipedia vs Great Russian Encyclopedia: (Re)construction of Soviet Music in the Post-Soviet Internet Space | |
| Lyubov A. Kupets | 156-169 |
Cultural Heritage in Historical Perspective
| Performing Art of Maria Gay: Following the Pages of Russian Musical Criticism and Memoiristics | PDF (Russian) |
| Elena Yu. Andrushchenko, Galina P. Andrievskaya | 170-181 |
| Concerning the Issue of Reception of Tchaikovsky’s Piano Concertos Outside of Russia | PDF (Russian) |
| Dmitri V. Belyak | 182-192 |
Musical Historiography
| Discussions in Soviet Musicology: The “Symphonic Genre” in the Epoch of Excessive Words | PDF (Russian) |
| Tatiana I. Naumenko | 193-204 |
Musical Cultures of Russia
| Peculiarities of Musical Style in the Folk Songs of Belgorod-Oskol Region: Local Regional Manifestations | PDF (Russian) |
| Mikhail S. Zhirov, Olga Ya. Zhirova, Olga I. Alekseeva, Larisa A. Kinash | 205-214 |
Announcement
| About the Musical Nartiad (“The Musical Nartiad: An Attempt of Research” by Beslan Ashkhotov) | PDF (Russian) |
| 215-217 |
Music of the 20th Century
| Jean Barraqué: Path Towards Serialism and Aesthetic Views of the First Half of the 1950s | PDF (Russian) |
| Ekaterina G. Okuneva | 218-231 |
| Typological Model of the Basso Ostinato in Carl Nielsen’s Fifth Symphony | PDF (Russian) |
| Vera I. Nilova | 232-242 |