No 2 (2021)

Music Scholarship / Problemy Muzykal'noj Nauki

DOI: https://doi.org/10.33779/2587-6341.2021.2

Full Issue

View or download the full issue FULL ISSUE № 2 2021 (Русский) ABSTRACTS CONTRIBUTORS

Table of Contents

Horizonts of Musicology

Mobile Forms in Architecture, Painting and Music as a Paradigm of the Contemporary Spatial Image of the World
Marina V. Pereverzeva, Tatiana V. Ashutova, Ekaterina Yu. Ivanova, Elena A. Fedeneva
PDF (Русский)
8-21
Monody as an Object of Study of Cognitive Ethnomusicology
Svetlana V. Kosyreva
PDF (Русский)
22-33
The Far-Eastern Ritual “Bear Holiday” in the Space of Computer Musical Technologies
Irina B. Gorbunova, Svetlana V. Mezentseva
PDF (Русский)
34-42

Music in the System of Culture

Musical-Poetic Symbols of Hymns in the Formation of Behavioral Culture
Nikolai N. Chernogor, Alexander S. Emelyanov, Guzel M. Aznagulova
PDF (Русский)
43-57
Peculiarities of the Sound Space of Ritual Actions in Richard Schechner’s Theatrical Performance “Dionysos-69”
Vera N. Dyomina
PDF (Русский)
58-66
Three “Arkaim” Ballets: The Legendary Past of the Southern Urals in Contemporary Musical Culture
Sergei S. Sokovikov, Elena A. Kaminskaya
PDF (Русский)
67-77
The Musical Life of Transboundary Altai as an Expression of Universal Spiritual Values in the Contemporary Dialogue of Cultures
Alexander G. Rossinsky, Kirill V. Rodin, Olesya S. Mikhaylova, Ekaterina A. Rossinskaya
PDF (Русский)
78-85

Musical Culture of the Peoples of the World

The Chinese Bamboo Flute: History and Constructive Traits
Yan Yi Ji
PDF (Русский)
86-93

Kazakhstan: Musical Creativity and Education

Oratorio Compositions by Composers in Kazakhstan
Dilara T. Karekenova
PDF (Русский)
94-100
Preparation of Musical Pedagogy in Teachers’ Training Courses in Kazakhstan in the Last Quarter of the 19th and Early 20th Century
Gulnara B. Argingazinova, Gulzada A. Khussainova, Inna S. Kobozeva
PDF (Русский)
101-110

International Division

Sound Metaphors in Audiovisual Advertising: Musical and Cross-Linguistic Research on Sound Metaphor
Manuel Palencia-Lefler
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111-123
Lareh Koto Piliang: Systems of Governmental Power and Bronze Music in the Study of the Concept of Musical Aesthetics in Luhak Nan Tigo Minangkabau
Andar Indra Sastra, Wilma Sriwulan, Ediwar Caniago, Asril Muchtar, Asep Saepul Haris
PDF
124-137
About the Peculiarities of Form Generation in the Adyghe Epic Genre
Beslan G. Ashkhotov
PDF
138-147
José Soler Casabón and his Ballet L’Homme sans yeux, sans nez et sans oreilles and his Poetry Fonds Perdu
Sandra Soler Campo
PDF
148-155
Russian Wikipedia vs Great Russian Encyclopedia: (Re)construction of Soviet Music in the Post-Soviet Internet Space
Lyubov A. Kupets
PDF
156-169

Cultural Heritage in Historical Perspective

Performing Art of Maria Gay: Following the Pages of Russian Musical Criticism and Memoiristics
Elena Yu. Andrushchenko, Galina P. Andrievskaya
PDF (Русский)
170-181
Concerning the Issue of Reception of Tchaikovsky’s Piano Concertos Outside of Russia
Dmitri V. Belyak
PDF (Русский)
182-192

Musical Historiography

Discussions in Soviet Musicology: The “Symphonic Genre” in the Epoch of Excessive Words
Tatiana I. Naumenko
PDF (Русский)
193-204

Musical Cultures of Russia

Peculiarities of Musical Style in the Folk Songs of Belgorod-Oskol Region: Local Regional Manifestations
Mikhail S. Zhirov, Olga Ya. Zhirova, Olga I. Alekseeva, Larisa A. Kinash
PDF (Русский)
205-214

Announcement

About the Musical Nartiad (“The Musical Nartiad: An Attempt of Research” by Beslan Ashkhotov)
 
PDF (Русский)
215-217

Music of the 20th Century

Jean Barraqué: Path Towards Serialism and Aesthetic Views of the First Half of the 1950s
Ekaterina G. Okuneva
PDF (Русский)
218-231
Typological Model of the Basso Ostinato in Carl Nielsen’s Fifth Symphony
Vera I. Nilova
PDF (Русский)
232-242