No 1 (2020)

Music Scholarship / Problemy Muzykal'noj Nauki

DOI: https://doi.org/10.33779/2587-6341.2020.1

Full Issue

View or download the full issue FULL ISSUE № 1 2020 (Русский) ABSTRACTS CONTRIBUTORS

Table of Contents

Horizonts of Musicology

Early Russian Chant and Contemporary Compositions: A Typology of Conjugacy
Elena E. Lobzakova
PDF (Русский)
7-14

The Creative Worlds of Musical Compositions

Formal Constraint as an Artistic Principle in Hans Abrahamsen’s Vocal Cycle “Let Me Tell You”
Ekaterina G. Okuneva
PDF (Русский)
15-28
Interpretation of René Char’s Poetry in Pierre Boulez’s “Le Marteau sans Maître”
Natalia P. Khilko
PDF (Русский)
29-42
The Artistic Space of the Musical-Liturgical Synthesis in Alfred Schnittke’s Second and Fourth Symphonies
Maria V. Dolmatova
PDF (Русский)
43-49

Musical Theater

The Sentimentalist Features of Thomas Augustine Arne's Opera “Thomas and Sally”
Elena V. Pankina, Anastasia S. Privalova
PDF (Русский)
50-59
Archaic Narrative Motives in Mozart’s “The Magic Flute”
Olga M. Plotnikova
PDF (Русский)
60-69

Musical Cultures of Russia

Concerning the Issue of Sonic Semantics of Traditional Saami Musical Instruments
Igor V. Soloviev
PDF (Русский)
70-80
About the Manifestation of the Comical Element in Bashkir National Opera
Gulnaz S. Galina
PDF (Русский)
81-88

International Division

Society as the Paradigm of 20th Century Art (on the Materials of Sergei Prokofiev’s Music)
Alexander I. Demchenko
PDF
89-100
“Scenary Development of Musical Material” as a Method of Composition and Instruction Created by Ukrainian Composer Karmella Tsepkolenko
Oleksandr O. Perepelytsia
PDF
101-109
Music and Creativity as Educational Strategies for Sociability. Group Dynamics with Students Pursuing Educational Degrees from the Francisco de Vitoria University in Madrid
Fidel Rodríguez Legendre, Gemma Ruiz Varela
PDF
110-121

Music in the System of Culture

Traditions and Innovation in the Performance Practice of Jazz Violinists of the Turn of the 20th and 21st Centuries Joe Venutti and David Goloshchekin
Marina L. Zaitseva, Regina R. Budagyan, Alexei I. Chekmenev
PDF (Русский)
122-129

Area Studies in Music

The Contribution of Russian Music Teachers and Performers to the Development of Musical Life in Montenegro: The Second Half of the 19th Century to the Present Day
Tatjana Krkeljic
PDF (Русский)
130-139
The Musical Culture of Saratov in the First Quarter of the 20th Century and Feodor Palchinsky’s Activities
Irina V. Polozova
PDF (Русский)
140-150

Contemporary Musical Art

Features of Intertextuality in the Musical Oeuvres of Alexander Bakshi
Olga A. Putecheva
PDF (Русский)
151-157

Musical Genre and Style

Transcriptions of Symphonic Music in the Repertoires of Folk Musical Instrument Orchestras: A Historical Overview
Mikhail S. Kopyryulin
PDF (Русский)
158-170
Transformations of the Russian Song Culture During the 1990s (the Regional Aspect)
Olga S. Ilyicheva, Elena V. Komissarova, Galina P. Kibasova
PDF (Русский)
171-176

Musical Education

The Musical Text of Western European Baroque Instrumental Music in an Analytical Reevaluation by the Student-Performer of Institutions of Higher Education
Irina V. Alexeyeva
PDF (Русский)
177-193
About Nina Khlebnikova’s Authorial Methods in Teaching Music Theory Disciplines to Wind Players
Olga I. Kulapina
PDF (Русский)
194-204