No 2 (2026)

Russian Musicology

DOI: https://doi.org/10.56620/RM.2026.2

Full Issue

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Table of Contents

Congratulation

A historic achievement: Russian Musicology has ranked No. 1 in the world
 
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5

Musical Genre and Style

Dmitry Shostakovich’s Orchestral Dialogues: The Symphony as an Opera
Irina P. Susidko, Pavel V. Lutsker
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6-18
Clarinet Concerto by Tolibkhon Shakhidi: Poetics of the Genre
Orzubonu N. Nurulloyeva
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19-32

Contemporary Musical Art

Dialectics of Contrasts in the Oratorio On Love and Hatred by Sofia Gubaidulina
Nadezhda V. Shirieva
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33-50
Chamber and Instrumental Music by Alexey Krasheninnikov: Experimental Poetics
Ekaterina G. Okuneva, Darya S. Semko
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51-73

Musical Culture of China

Musical Rhetoric in China: Knowledge Production and Paradigm Construction
Xuqing Wang
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74-92
The Dilemma and the Resolution: A Study of the Compatibility between Traditional Chinese Musical Elements and Western Music Systems
Wei Shen
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93-116

Dialogue of Cultures

Cao Xueqin’s Novel Dream of the Red Chamber and the Opera of the Same Name by Bright Sheng and David Henry Hwang in the Space of Art Historical Discourse
Yue Zheng
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117-132
The Landscape of Russian Opera Scholarship within China across the Last Ten Years
Xiao Kang
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133-142

Musical Education

Educational Models of Woodwind Performance in Russia: Moscow Conservatory vs. Gnesin Russian Academy of Music
Guo Yu
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143-158
The Phenomenon of the Piano School in Art History: Specifics of Its Functioning in a Foreign Environment Based on the Case of China
Guanghui Hao
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159-166

Theory and History of Culture

Emotiology in the Context of Musical Aesthetics: Towards the Problem Statement
Polina S. Volkova, Natalia G. Solodovnikova
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167-182
The Issue of Virtual Leisure in the Digital Culture of the 21st Century
Nadezhda A. Tsareva
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183-193