| Issue | Title | |
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | About the Peculiarities of Form Generation in the Adyghe Epic Genre | Abstract PDF |
| Beslan G. Ashkhotov | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | About the Specificity of Organizing the Solo Violin Musical Text in the Western European Baroque Style (By the Example of J. S. Bach’s Partita No. 1 in B Minor for Solo Violin) | Abstract PDF (Русский) |
| Irina V. Alexeyeva, Flyura B. Sitdikova | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | About the Style of John Coolidge Adams’ Chamber Symphony. | Abstract PDF (Русский) |
| Elena A. Churilova | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | About the Theory of National Music: Towards a Methodology of Comparative Study of Musical and Poetic Folklore Systems | Abstract PDF (Русский) |
| Mikhail G. Kondratyev | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | About the Verbalizing Patterns of an Assonant Text in the Solo vs. Group Singing of the Peoples from the Caucasus | Abstract PDF (Русский) |
| Beslan G. Ashkhotov | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | About the Works of Russian Minimalist Composers: The Idiomatics of the Musical Language | Abstract PDF |
| Yuliya N. Panteleeva | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Achievement Motivation and its Impact on Music Students’ Performance and Practice in Tertiary Level Education | Abstract PDF |
| Maria Strenacikova Jr., Maria Strenacikova Sr. | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Acousmatic Sound in Multimedia Installations | Abstract PDF (Русский) |
| Alexandra V. Krylova | ||
| No 3 (2025): Russian Musicology | Activities of the Don Cossack Choir and the Formation of Stereotypes of Pseudo-Russianness Among Foreign Listeners | Abstract PDF |
| Yaroslav V. Gloushakov | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Actualization of Areal History Competence in the Process of Training Music Pedagogues at Universities and Conservatories | Abstract PDF (Русский) |
| Gulzada A. Khusainova, Daulet T. Tapenov, Darkhan E. Kozhebaev, Aigerim E. Zhumasheva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Alexander Nemtin’s Concerto for Organ | Abstract PDF |
| Anton A. Rovner | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Along the Path of Spiritual Self-Knowledge. About Valentina Kholopova’s Monograph “Sofia Gubaidulina” | Abstract PDF (Русский) |
| Nino O. Barkalaya | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | An Interview with Composer and Pianist Nina Siniakova | Abstract PDF |
| Anton A. Rovner | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | An Unpublished Page of Choreographer Filippo Taglioni’s Biography: Based on Materials from the Russian State Historical Archive | Abstract PDF |
| Olga A. Fedorchenko | ||
| No 1 (2025): Russian Musicology | Analysis of Chou Wen-chung’s Manuscript of Twilight Colors | Abstract PDF |
| Zhongyu Wang | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | Anton Chekhov’s Novelette The Black Monk as an Object of Compositional Reflection (on the Example of the Eponymous Opera by Alexei Kurbatov) | Abstract PDF (Русский) |
| Alexander I. Demchenko, Dinara M. Disenova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Antonio Vivaldi’s “The Seasons” in the Reinterpretation of British Minimalist Composer Max Richter | Abstract PDF (Русский) |
| Alina R. Izergina, Irina V. Alexeyeva | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Archaic Narrative Motives in Mozart’s “The Magic Flute” | Abstract PDF (Русский) |
| Olga M. Plotnikova | ||
| No 1 (2026): Russian Musicology | Artistic Aspects of Russian Music Publishing in the Second Half of the 19th – Early 20th Century: M.P. Belaieff, Leipzig | Abstract PDF |
| Olga V. Radzetskaya | ||
| No 3 (2025): Russian Musicology | Aspects of Mikhail Bronner’s Creativity | Abstract PDF |
| Maria V. Vlasova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Aspects of Spiritual Meaning in Francis Poulenc’s Opera Dialogues of the Carmelites | Abstract PDF (Русский) |
| Valentina V. Azarova | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Author Function in the Poetics of Contemporary Music | Abstract PDF (Русский) |
| Yuliya N. Panteleeva | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Avant-Garde Scores as a Subject of Artistic Interpretation in Modern Rock Music | Abstract PDF (Русский) |
| Anastasiya Yu. Slobodchikova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Bent Sørensen’s Sounds Like You as a Phenomenon of Contemporary Musical Theater | Abstract PDF (Русский) |
| Ekaterina G. Okuneva | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Bertoldo, Bertoldino e Cacasenno: the Original Score Examined | Abstract PDF |
| Pavel V. Lutsker | ||
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