Full Issue
| View or download the full issue | FULL ISSUE № 1 2023 (Russian) |
Table of Contents
Cultural Heritage in Historical Perspective
| The Imperishable Johann Sebastian: Universum | PDF (Russian) |
| Alexander I. Demchenko | 8-22 |
| Joseph Haydn and Ignaz Pleyel: The Teacher and His Student | |
| Dana A. Nagina | 23-34 |
| Vladimir Georgievich Ehrenberg: A Mocker’s Fate | |
| Natela I. Enukidze | 35-46 |
Contemporary Musical Art
| Choral Writing in Iannis Xenakis’ Late Compositions | |
| Alexander S. Ryzhinsky | 47-61 |
| Bent Sørensen’s Sounds Like You as a Phenomenon of Contemporary Musical Theater | PDF (Russian) |
| Ekaterina G. Okuneva | 62-76 |
| An Interview with Composer and Pianist Nina Siniakova | |
| Anton A. Rovner | 77-87 |
Music about War and Peace
| The Battle of Stalingrad in Russian and Foreign Music | PDF (Russian) |
| Liudmila P. Kazantseva, Oksana I. Lukonina | 88-105 |
| The History of one Song: Concerning Study of the Musical Heritage of the Soviet Period | |
| Yaroslav V. Gloushakov | 106-114 |
Musical Cultures of Russia
| Folk Music Wedding Genres of the Meadow Maris | PDF (Russian) |
| Alevtina A. Voitovich | 115-127 |
Music Scholarship in the Context of Culture
| Interparadigmality as a State of Contemporary Musical Culture | PDF (Russian) |
| Tatiana B. Sidneva | 128-139 |
| The Aspects and Problems of Musicology in the 21th Century in the Republic of Moldova | |
| Elena S. Mironenko | 140-156 |
| Liturgical Musicology in Belarus: Pro et Contra | |
| Larisa A. Gustova-Runtso | 157-167 |
Artistic Synthesis and the Interaction between the Arts
| Emotions as a Phenomenon of Vocal and Opera Music | PDF (Russian) |
| Aleksei A. Kostyuk, Galina V. Alekseeva | 168-177 |
| Sergei Prokofiev’s Music for Mikhail Romm’s Film The Queen of Spades | PDF (Russian) |
| Yang Yu | 178-190 |
| Music in Cinema: Concerning the Question of the Internal Form of the Film Text in the Aspect of Emotiveness | |
| Polina S. Volkova, Elena R. Antonenko | 191-202 |