Russian Musicology

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Home > Archives > No 3 (2020)

DOI: https://doi.org/10.33779/2587-6341.2020.3

Full Issue

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FULL ISSUE № 3 2020 (Русский) Abstracts Contributors

Table of Contents

Horizonts of Musicology

Musical Ekphrasis and the Prospects of Intermedial Research Tatiana V. Tsaregradskaya

PDF (Русский) 7-16

Musical Scales with Pythagorean Intervals Sergei S. Nikolsky

PDF (Русский) 17-23

Computer Musical Technologies in the Development of Methods of Correction of Human Beings’ Stress Induced Conditions Alexander I. Fedotchev

PDF (Русский) 24-29

Theory and History of Culture

The Anthropomorphic Qualities of Technology in the Postmodern and Post-Postmodern Culture Nadezhda A. Tsareva

PDF (Русский) 30-42

Particular Features of the Theater Poster in Bashkiria in the Early 20th Century Mars L. Akhmadullin, Elza E. Purik, Vilur R. Shakirov, Marina G. Shakirova

PDF (Русский) 43-54

Music in the System of Culture

Antonio Vivaldi’s “The Seasons” in the Reinterpretation of British Minimalist Composer Max Richter Alina R. Izergina, Irina V. Alexeyeva

PDF (Русский) 55-64

Sampling as a Process of Integration of New Technologies in the Musical Culture of Kazakhstan Olzhas M. Baibekov, Meruert S. Kurmangalieva

PDF (Русский) 65-76

The Role of Screen Images in Meredith Monk’s Musical Performances Vasily Yu. Kiseyev

PDF (Русский) 77-85

Musical Theater

Vladimir Dukelsky’s London Productions of the Second Half of the 1920s: From the Ballet a la Russe – To the English Thriller Antonina S. Maksimova

PDF (Русский) 86-95

Screen Images in Contemporary Opera: Concerning the Issue of the Genre’s Renewal at the Turn of the 20th and 21st Centuries Elena V. Kiseyeva

PDF (Русский) 96-102

International Division

Model and Concept in the Music Paradigm of Creativity Bambang Sunarto

PDF 103-113

Opera Criticism in Russia in the Early 21st Century: Constructing the (Non-) Soviet Style Lyubov A. Kupets

PDF 114-127

Music Education in Russian Regions

Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East Sergei N. Skorinov, Yana St. Kryzhanovskaya

PDF (Русский) 128-143

The Culturological Aspects of the Pedagogue Musician’s Professional Training in Cultural Higher Educational Institutes of the Russian Far East Evgeniya V. Savelova, Nina Ph. Semyonova, Alexei V. Tyurin

PDF (Русский) 144-156

The Particular Features of Students’ Scholarly-Research and Artistic Activities from the 1960s to the 1980s by the Example of the Ufa State Institute for the Arts Mars L. Akhmadullin, Elvira D. Khadimullina, Ruslan R. Khadimullin

PDF (Русский) 157-167

Information Technology in Music Education

Computer Music Technologies in the System of Present-Day Musical Education: An Attempt of Terminological Analysis Irina B. Gorbunova, Konstantin Yu. Plotnikov

PDF (Русский) 168-181

About Instruments for Extending the Informational Space of the Artistic Higher Educational Institution Svetlana V. Mezentseva

PDF (Русский) 182-191

Interdisciplinary Studies in the Music and Psychological Sciences

The Specificity of Self-Realization of Adolescents with the Musical Type of Giftedness Sergei I. Kudinov, Zulfiya R. Khayrova, Olga В. Mikhailova, Stanislav S. Kudinov, Irina B. Kudinova

PDF (Русский) 192-203

History and Theory of Music

Letters to London: New Material about Sergei Rachmaninoff’s First Performance Outside of Russia Vera B. Valkova

PDF (Русский) 204-218

Transformation of Orchestration in Rachmaninoff’s Rhapsody on a Theme of Paganini and Jazz Idioms Vadim Rakochi

PDF (Русский) 219-230