| Issue | Title | |
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | German Music Manuals in 18th Century Russian Translations: about the Attributes of the Primary Texts | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Gramophone Recordings of Early 20th Century Tatar Music: Singer and Accordionist Mirfaiz Babazhanov | Abstract PDF (Russian) |
| Idris M. Gaziev | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Henry Purcell’s Vocal Music in John Dryden’s Comedy “Amphitryon; or The Two Sosias” (1690) | Abstract PDF (Russian) |
| Natalia V. Duda | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | History and Lessons of Multilingual Printing (“Art of the National Book” by M. L. Akhmadullin) | Details PDF (Russian) |
| Vladimir R. Aronov | ||
| No 1 (2026): Russian Musicology | History of Music: From the Source to Interpretation (Based on Materials from Russian Scholarly Periodicals of the Last Three Years) | Abstract PDF |
| Irina P. Susidko, Nina V. Pilipenko | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | In Search for a Genuine Reality: The Specificity of Genre and Dramaturgy in Per Nørgård’s opera Siddharta | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 3 (2025): Russian Musicology | In Search for Eluding Beauty: The Semantic Subtexts and Compositional Strategies in Bent Sørensen’s Trilogy Papillons | Abstract PDF |
| Ekaterina G. Okuneva, Sofiya V. Dudoladova | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | In Search of Lost Time in Word and Sound: about the Influence of Marcel Proust on the Work of Reynaldo Hahn | Abstract PDF |
| Irina S. Zakharbekova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Innovational Prospects of Artistic Education | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Interparadigmality as a State of Contemporary Musical Culture | Abstract PDF (Russian) |
| Tatiana B. Sidneva | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Interpretation of Genre in Tan Dun’s Opera Nine Songs | Abstract PDF (Russian) |
| Elena V. Kiseyeva, Vasily Yu. Kiseyev | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Interpretation of René Char’s Poetry in Pierre Boulez’s “Le Marteau sans Maître” | Abstract PDF (Russian) |
| Natalia P. Khilko | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Interpretation of the Genre in Kaija Saariaho’s Opera Innocence | Abstract PDF (Russian) |
| Elena V. Kiseyeva, Emma S. Korotkiyeva | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Interview with Composer and Pianist Sergei Oskolkov | Abstract PDF (Russian) PDF |
| Anton A. Rovner | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Javanese Pop and Javanese Keroncong: The Paradigm of Domination Strategy | Abstract PDF |
| Rully Aprilia Zandra, Santosa Soewarlan, Bambang Sunarto, Zulkarnain Mistortoify | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Jean Barraqué: Path Towards Serialism and Aesthetic Views of the First Half of the 1950s | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | José Soler Casabón and his Ballet L’Homme sans yeux, sans nez et sans oreilles and his Poetry Fonds Perdu | Abstract PDF |
| Sandra Soler Campo | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Joseph Haydn and Ignaz Pleyel: The Teacher and His Student | Abstract PDF |
| Dana A. Nagina | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Karlheinz Stockhausen’s Choral Writing in his Heptalogy Licht | Abstract PDF (Russian) |
| Alexander S. Ryzhinsky | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Kazakh Dombra Music and Dina Nurpeisova’s Compositions | Abstract PDF (Russian) |
| Aytolkyn A. Toktagan, Saniya O. Bazheneeva, Dana T. Ibragim, Raushan S. Maldybaeva | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Lareh Koto Piliang: Systems of Governmental Power and Bronze Music in the Study of the Concept of Musical Aesthetics in Luhak Nan Tigo Minangkabau | Abstract PDF |
| Andar Indra Sastra, Wilma Sriwulan, Ediwar Caniago, Asril Muchtar, Asep Saepul Haris | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Le marteau sans Maître by Pierre Boulez as a System of Cycles | Abstract PDF (Russian) |
| Natalia P. Khilko | ||
| No 4 (2025): Russian Musicology | Leif Segerstam and His Path to Aleatory Music | Abstract PDF |
| Irina V. Koposova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Letters to London: New Material about Sergei Rachmaninoff’s First Performance Outside of Russia | Abstract PDF (Russian) |
| Vera B. Valkova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Liturgical Musicology in Belarus: Pro et Contra | Abstract PDF |
| Larisa A. Gustova-Runtso | ||
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