Full Issue
| View or download the full issue | FULL ISSUE № 2 2026 |
Table of Contents
Congratulation
| A historic achievement: Russian Musicology has ranked No. 1 in the world | |
| 5 |
Musical Genre and Style
| Dmitry Shostakovich’s Orchestral Dialogues: The Symphony as an Opera | |
| Irina P. Susidko, Pavel V. Lutsker | 6-18 |
| Clarinet Concerto by Tolibkhon Shakhidi: Poetics of the Genre | |
| Orzubonu N. Nurulloyeva | 19-32 |
Contemporary Musical Art
| Dialectics of Contrasts in the Oratorio On Love and Hatred by Sofia Gubaidulina | |
| Nadezhda V. Shirieva | 33-50 |
| Chamber and Instrumental Music by Alexey Krasheninnikov: Experimental Poetics | |
| Ekaterina G. Okuneva, Darya S. Semko | 51-73 |
Musical Culture of China
| Musical Rhetoric in China: Knowledge Production and Paradigm Construction | |
| Xuqing Wang | 74-92 |
| The Dilemma and the Resolution: A Study of the Compatibility between Traditional Chinese Musical Elements and Western Music Systems | |
| Wei Shen | 93-116 |
Dialogue of Cultures
| Cao Xueqin’s Novel Dream of the Red Chamber and the Opera of the Same Name by Bright Sheng and David Henry Hwang in the Space of Art Historical Discourse | |
| Yue Zheng | 117-132 |
| The Landscape of Russian Opera Scholarship within China across the Last Ten Years | |
| Xiao Kang | 133-142 |
Musical Education
| Educational Models of Woodwind Performance in Russia: Moscow Conservatory vs. Gnesin Russian Academy of Music | |
| Guo Yu | 143-158 |
| The Phenomenon of the Piano School in Art History: Specifics of Its Functioning in a Foreign Environment Based on the Case of China | |
| Guanghui Hao | 159-166 |
Theory and History of Culture
| Emotiology in the Context of Musical Aesthetics: Towards the Problem Statement | |
| Polina S. Volkova, Natalia G. Solodovnikova | 167-182 |
| The Issue of Virtual Leisure in the Digital Culture of the 21st Century | |
| Nadezhda A. Tsareva | 183-193 |