| Issue | Title | |
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Culturological Aspects of the Pedagogue Musician’s Professional Training in Cultural Higher Educational Institutes of the Russian Far East | Abstract PDF (Russian) |
| Evgeniya V. Savelova, Nina Ph. Semyonova, Alexei V. Tyurin | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Eleventh Olympic Games In the Context of the Formation of the Art of Performance | Abstract PDF (Russian) |
| Vera N. Dyomina | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Far-Eastern Ritual “Bear Holiday” in the Space of Computer Musical Technologies | Abstract PDF (Russian) |
| Irina B. Gorbunova, Svetlana V. Mezentseva | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Fixed Poetic Form vs the Musical Form: The Experience of Analyzing Madrigal Settings of Sestina Texts | Abstract PDF |
| Larisa L. Gerver | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Forms of Interaction of the Folk Song Creativity and Instrumental Music (on the Example of Traditional Solo and Group Singing of the Peoples of the Caucasus) | Abstract PDF (Russian) |
| Beslan G. Ashkhotov | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Genre Specificity of the Variation Technique in Azerbaijani Song and Dance Forms | Abstract PDF (Russian) |
| Inna V. Pazycheva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Genre-Related and Stylistic Explication of the Song Tradition of the Belgorod Region: The Regional Aspect | Abstract PDF (Russian) |
| Mikhail S. Zhirov, Natalia S. Kuznetsova, Olga Ya. Zhirova, Tatiana A. Selyukova | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Golden Sequence: The History and Pre-History of the Term on the Pages of Russian Musical Guiding Manuals | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Hidden Symbolism of Three Chorales for a Large Organ by Cesar Franck | Abstract PDF (Russian) |
| Galina N. Dombrauskene | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | The History of one Song: Concerning Study of the Musical Heritage of the Soviet Period | Abstract PDF |
| Yaroslav V. Gloushakov | ||
| No 2 (2025): Russian Musicology | The Image of Kuma from Pyotr Tchaikovsky’s The Enchantress in Contemporary Opera Productions: Concerning the Question of Musical Rossica | Abstract PDF |
| Mengqi Shao | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Image of the Mother of God “Life-Giving Source” in the Icon Painting and Singing Tradition: a Profound Synergy of Expressive Means | Abstract PDF (Russian) |
| Galina V. Alekseeva | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Image of Vienna in Johann Nepomuk Nestroy’s Opera Parody Robert der Teuxel | Abstract PDF (Russian) |
| Alexei A. Vlasov | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Imperishable Johann Sebastian: Dramatik | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Imperishable Johann Sebastian: Postict | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Imperishable Johann Sebastian: Sapiens | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Imperishable Johann Sebastian: Universum | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Industrialization of Musical Culture as a Pattern of Contemporary Society | Abstract PDF (Russian) |
| Natalia A. Malshina | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Inexhaustible Resources of Church Art | Abstract PDF (Russian) |
| Galina V. Alekseeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Influence of Russian Ballets in the 20th Century: L’Homme sans yeux, sans nez et sans oreilles by José Soler Casabón and Parade by Érik Satie | Abstract PDF |
| Sandra Soler Campo, Juan Jurado Bracero | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Influence of the Ontology of Orthodox Christian Art on Music and Icon Painting | Abstract PDF |
| Galina V. Alekseeva | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Instrumental Concerto in Bent Sørensen’s Musical Output | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Interaction of the Tonal-Harmonic and the Monodic Principles in the Melodicism of Anton Bruckner (by the Example of the Andante from the Fourth Symphony) | Abstract PDF (Russian) |
| Yuri K. Zakharov | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The International Asian-Pacific Island Conference on Musical Therapy in Beijing: A New Measuring Reference | Abstract PDF (Russian) |
| Alla V. Toropova, Wolfgang Mastnak | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Intonational Nature of Kazakh Instrumental Folk Music in Samples | Abstract PDF (Russian) |
| Olzhas M. Baibekov, Meruert S. Kurmangalieva | ||
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