No 4 (2025)

Russian Musicology

DOI: https://doi.org/10.56620/RM.2025.4

Full Issue

View or download the full issue FULL ISSUE № 4 2025

Table of Contents

Musical Genre and Style

The Russian Waltz
Liudmila P. Kazantseva
PDF
5-25

Musical Cultures of Russia

The Role of the Individual and the Collective Aspects in the Formation of the Genre of the Adyghes’ Heroic-Historical Song
Beslan G. Ashkhotov
PDF
26-38
The Kazan Conservatory School of Composition: Paths of Development
Diliya F. Khairutdinova
PDF
39-45

Musical Culture of the Peoples of the World

The Orteke Tradition: An Examination of the Relationship Between Music and Puppetry in Central Asia
Gökhan Usal
PDF
46-55

Dialogue of Cultures

On the Similarity of the Principles of Church Singing Interpretation of the Sequentia and the Bezstrochen in Western European and Russian Hymnography
Svetlana A. Pavlova
PDF
56-65
“Man and Eternity” vs. “Man and History”: Maria Yudina in Dialogue with Boleslav Yavorsky
Raisa M. Alisova
PDF
66-76

Cultural Heritage in Historical Perspective

New Biographical Data about Piano Makers John Conrad Becker (London) and Yakob Davidovich Becker (St. Petersburg)
Maxim V. Sergeev
PDF
77-86
Development of the Instrumental Group of the Peking Opera from the 19th to the Early 21st Century in the Context of the Academisation of Chinese Musical Art
Yang Teng, Dmitry I. Varlamov
PDF
87-99

Contemporary Musical Art

Musical Thanatos: The Theme of Death in Vladimir Martynov’s and Alexander Bakshi’s Music
Olga B. Elkan
PDF
100-110
Leif Segerstam and His Path to Aleatory Music
Irina V. Koposova
PDF
111-127

Performing Arts

Russian Music in Marc-André Hamelin’s Performing Practice (Part 1)
Irina I. Sukhorukova
PDF
128-144

Horizons of Musicology

Concerning the Question of Anthropomorphic Metaphors in Music (Semiotic Aspect)
Elena M. Alkon
PDF
145-153