No 4 (2024)

Russian Musicology

DOI: https://doi.org/10.56620/RM.2024.4

Full Issue

View or download the full issue FULL ISSUE № 4 (English) (Русский)

Table of Contents

History and Theory of Music

Wolfgang Amadeus Mozart: the Composer’s First Steps
Irina P. Susidko, Pavel V. Lutsker
PDF
5-19
Nicola Sala’s Regole del contrappunto pratico (1794): History, Theory, and Practice
Anastasia I. Maslova
PDF
20-34
Revisiting Musical Semiotics: Returning to Greek Stoic Definitions
Ildar D. Khannanov
PDF
35-40

Musical Theater

Michael Nyman’s Opera Noises, Sounds and Sweet Airs and Questions of Interpretation of Shakespeare’s The Tempest
Ekaterina G. Okuneva, Anastasiya A. Nogovitsyna
PDF
41-54
Cendrillon, Cenerentola, and Agatina: The Plot Structure and Composition in the Operas by Nicolò Izouard, Gioachino Rossini and Stefano Pavesi
Nina V. Pilipenko
PDF
55-68

Contemporary Musical Art

Simon Steen-Andersen — a Composer of the Postmodernist Era
Tatiana V. Tsaregradskaya
PDF
69-76
Total Music in the Creative Experiments of Composer Alexander Manotskov
Olga A. Putecheva
PDF
77-86
A Successful Blend of Diverse Styles, Genres and Techniques in Andrew Thomas’ Orchestral Works from the End of the 20th Century
Anton A. Rovner
PDF
87-100

Cultural Heritage in Historical Perspective

Musical Terminology in 19th Century Russian Tutorial Translated Editions
Elena S. Derunets
PDF
101-109
Nikolai Rimsky-Korsakov’s Third Textbook in Alexander Ossovsky’s Notes: Concerning the History of the Formation of the St. Petersburg School of Music Theory
Tamara I. Tverdovskaya, Alla I. Yankus
PDF
110-118

Musical Education

Pedagogical Practice at the Gnesin Russian Academy of Music: Temporal Parallels
Dmitri V. Belyak
PDF
119-128
Elena Malinovskaya: Theatrical and Musical Education in the Late 1910s–1930s
Petr N. Gordeev
PDF
129-137