Full Issue
| View or download the full issue | FULL ISSUE № 1 2022 (Russian) |
Table of Contents
Horizonts of Musicology
| The Structure of Russian Music Scholarship: Historical Musicology | PDF (Russian) |
| Alexander I. Demchenko | 7-21 |
| “Musical Rossica” as a Musicological Term | PDF (Russian) |
| Liudmila P. Kazantseva | 22-34 |
| About Applying Probabilistic-Static Methods in Studying Regular Laws of Music and Musical-Pedagogical Research Works | PDF (Russian) |
| Irina B. Gorbunova, Mikhail S. Zalivadny | 35-49 |
International Division
| Javanese Pop and Javanese Keroncong: The Paradigm of Domination Strategy | |
| Rully Aprilia Zandra, Santosa Soewarlan, Bambang Sunarto, Zulkarnain Mistortoify | 50-61 |
| An Unpublished Page of Choreographer Filippo Taglioni’s Biography: Based on Materials from the Russian State Historical Archive | |
| Olga A. Fedorchenko | 62-70 |
The Creative Worlds of Musical Compositions
| Utrenya by Krzysztof Penderecki: Concerning the Question of the Influence of the Musical Traditions of Orthodox Christianity | PDF (Russian) |
| Alexander S. Ryzhinsky | 71-82 |
| The Hidden Symbolism of Three Chorales for a Large Organ by Cesar Franck | PDF (Russian) |
| Galina N. Dombrauskene | 83-92 |
Contemporary Musical Art
| New Romanticism in Danish Music: about the Artistic Method of Bent Sørensen | PDF (Russian) |
| Ekaterina G. Okuneva | 93-108 |
| The Intonational Nature of Kazakh Instrumental Folk Music in Samples | PDF (Russian) |
| Olzhas M. Baibekov, Meruert S. Kurmangalieva | 109-122 |
From the History of the Musical Culture of Russia
| German Music Manuals in 18th Century Russian Translations: about the Attributes of the Primary Texts | PDF (Russian) |
| Inga A. Presnyakova | 123-133 |
Musical Historiography
| Where does Russian Music Begin? The Case of Mikhail Glinka in the Biographical Series of “The Lives of Wonderful People” | PDF (Russian) |
| Lyubov A. Kupets | 143-155 |
| The Recycling of Igor Stravinsky in the Journal “Sovetskaya Muzyka” During the Period of 1933–1966 | PDF (Russian) |
| Natalya A. Gorbunova | 156-166 |
Theory and History of Culture
| Synthesis of Cultural Forms as the Key Paradigm of the Postmodern and Metamodern Eras | PDF (Russian) |
| Nadezhda A. Tsareva, Valery E. Kuleshov | 167-178 |
| The Sonar Space of the Practices of Commemoration of Contemporary Museums | PDF (Russian) |
| Vera N. Dyomina | 179-185 |
| About the Influence of the Performative Features of the Avant-garde Theater on Documentary Opera | PDF (Russian) |
| Alexandra V. Shornikova | 186-194 |