Full Issue
| View or download the full issue | FULL ISSUE № 1 2021 (Russian) Abstracts Contributors |
Table of Contents
Horizonts of Musicology
| The Prospects of Applying Artificial Intelligence in Musical Composition | PDF (Russian) |
| Marina V. Pereverzeva | 8-16 |
History of Western Music
| Henry Purcell’s Vocal Music in John Dryden’s Comedy “Amphitryon; or The Two Sosias” (1690) | PDF (Russian) |
| Natalia V. Duda | 17-26 |
Poetics and Semantics of the Musical Text
Musical Cultures of Russia
| The Russian Music Society in the Far-Eastern Republic: Bonds of History | PDF (Russian) |
| Natalia I. Efimova, Alina I. Krapiva | 36-45 |
Choral Music
| Choral Music in the Works of Hans Werner Henze | PDF (Russian) |
| Alexander S. Ryzhinsky | 46-60 |
International Division
| Selected Attributes of Music and Musical Instruction in Slovakia During the Classical Period | |
| Maria Strenacikova Sr., Maria Strenacikova Jr. | 61-74 |
| The Influence of Russian Ballets in the 20th Century: L’Homme sans yeux, sans nez et sans oreilles by José Soler Casabón and Parade by Érik Satie | |
| Sandra Soler Campo, Juan Jurado Bracero | 75-82 |
| The Academic School of Liudmila Kazantseva: An Experience of the Decade | |
| Polina S. Volkova | 83-95 |
| Digital Art and the Future of Traditional Arts | |
| Triyono Bramantyo | 96-110 |
| The Concept of the Pathet and Avoided Tones in Jawatimuran Karawitan | |
| Aris Setiawan | 111-124 |
| Mindfulness and Online Music for Channeling Stress in Primary School Students During the COVID-19 Pandemic in Spain | |
| Gemma Ruiz Varela, Fidel Rodríguez Legendre | 125-136 |
Music in the System of Culture
| Quotations from Brahms’s Piano Music in the Context of the Metamodernist Trends in 21st Century Cinema | PDF (Russian) |
| Anastasia A. Komarova | 137-144 |
Musical Theater
| The Particularities of the Stage Interpretations of Piotr Tchaikovsky’s “Eugene Onegin” Directed by Eugene Aryeh in the Production of the Bolshoi Theater (2019) | PDF (Russian) |
| Elka Alkhateeb, Marina L. Zaitseva | 145-153 |
| The “Ballet within a Ballet”: The Creative Searches of Contemporary Choreographers | PDF (Russian) |
| Natalia L. Kabachek | 154-162 |
Musical Genre and Style
| The Symphonic and Suite Traits in Piotr Tchaikovsky’s Piano Concertos | PDF (Russian) |
| Dmitri V. Belyak | 163-172 |
| Manuel de Falla, Introduction to the Ballet “The Three-Cornered Hat”: About the Timbral Manifestation of the National Element | PDF (Russian) |
| Daniyar B. Berzhaprakov | 173-181 |
Music Theory
| “Ach Golgatha!” by Karel Goeyvarts in the Aspect of Synthesis of Serialism, Aleatory Technique and Minimalism | PDF (Russian) |
| Anastasia V. Titova | 182-192 |
Musical Culture of the Peoples of the World
| The Genre Specificity of the Variation Technique in Azerbaijani Song and Dance Forms | PDF (Russian) |
| Inna V. Pazycheva | 193-202 |
Musical Education
| Actualization of Areal History Competence in the Process of Training Music Pedagogues at Universities and Conservatories | PDF (Russian) |
| Gulzada A. Khusainova, Daulet T. Tapenov, Darkhan E. Kozhebaev, Aigerim E. Zhumasheva | 203-212 |
| The Organization and Content of Musical Performance Training in the Higher National Conservatories of Music and Dance in Paris and Lyon | PDF (Russian) |
| Lyubov A. Buryakova, Lyudmila V. Varavina | 213-222 |
Cultural Heritage in Historical Perspective
| Nikolai Myaskovsky on the Pages of the Journal “Sovetskaya Muzyka” During the Years 1933–1951: Content Analysis | PDF (Russian) |
| Natalia A. Gorbunova | 223-232 |