No 1 (2021)

Music Scholarship / Problemy Muzykal'noj Nauki

DOI: https://doi.org/10.33779/2587-6341.2021.1

Full Issue

View or download the full issue FULL ISSUE № 1 2021 (Русский) Abstracts Contributors

Table of Contents

Horizonts of Musicology

The Prospects of Applying Artificial Intelligence in Musical Composition
Marina V. Pereverzeva
PDF (Русский)
8-16

History of Western Music

Henry Purcell’s Vocal Music in John Dryden’s Comedy “Amphitryon; or The Two Sosias” (1690)
Natalia V. Duda
PDF (Русский)
17-26

Poetics and Semantics of the Musical Text

About the Specificity of Organizing the Solo Violin Musical Text in the Western European Baroque Style (By the Example of J. S. Bach’s Partita No. 1 in B Minor for Solo Violin)
Irina V. Alexeyeva, Flyura B. Sitdikova
PDF (Русский)
27-35

Musical Cultures of Russia

The Russian Music Society in the Far-Eastern Republic: Bonds of History
Natalia I. Efimova, Alina I. Krapiva
PDF (Русский)
36-45

Choral Music

Choral Music in the Works of Hans Werner Henze
Alexander S. Ryzhinsky
PDF (Русский)
46-60

International Division

Selected Attributes of Music and Musical Instruction in Slovakia During the Classical Period
Maria Strenacikova Sr., Maria Strenacikova Jr.
PDF
61-74
The Influence of Russian Ballets in the 20th Century: L’Homme sans yeux, sans nez et sans oreilles by José Soler Casabón and Parade by Érik Satie
Sandra Soler Campo, Juan Jurado Bracero
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75-82
The Academic School of Liudmila Kazantseva: An Experience of the Decade
Polina S. Volkova
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83-95
Digital Art and the Future of Traditional Arts
Triyono Bramantyo
PDF
96-110
The Concept of the Pathet and Avoided Tones in Jawatimuran Karawitan
Aris Setiawan
PDF
111-124
Mindfulness and Online Music for Channeling Stress in Primary School Students During the COVID-19 Pandemic in Spain
Gemma Ruiz Varela, Fidel Rodríguez Legendre
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125-136

Music in the System of Culture

Quotations from Brahms’s Piano Music in the Context of the Metamodernist Trends in 21st Century Cinema
Anastasia A. Komarova
PDF (Русский)
137-144

Musical Theater

The Particularities of the Stage Interpretations of Piotr Tchaikovsky’s “Eugene Onegin” Directed by Eugene Aryeh in the Production of the Bolshoi Theater (2019)
Elka Alkhateeb, Marina L. Zaitseva
PDF (Русский)
145-153
The “Ballet within a Ballet”: The Creative Searches of Contemporary Choreographers
Natalia L. Kabachek
PDF (Русский)
154-162

Musical Genre and Style

The Symphonic and Suite Traits in Piotr Tchaikovsky’s Piano Concertos
Dmitri V. Belyak
PDF (Русский)
163-172
Manuel de Falla, Introduction to the Ballet “The Three-Cornered Hat”: About the Timbral Manifestation of the National Element
Daniyar B. Berzhaprakov
PDF (Русский)
173-181

Music Theory

“Ach Golgatha!” by Karel Goeyvarts in the Aspect of Synthesis of Serialism, Aleatory Technique and Minimalism
Anastasia V. Titova
PDF (Русский)
182-192

Musical Culture of the Peoples of the World

The Genre Specificity of the Variation Technique in Azerbaijani Song and Dance Forms
Inna V. Pazycheva
PDF (Русский)
193-202

Musical Education

Actualization of Areal History Competence in the Process of Training Music Pedagogues at Universities and Conservatories
Gulzada A. Khusainova, Daulet T. Tapenov, Darkhan E. Kozhebaev, Aigerim E. Zhumasheva
PDF (Русский)
203-212
The Organization and Content of Musical Performance Training in the Higher National Conservatories of Music and Dance in Paris and Lyon
Lyubov A. Buryakova, Lyudmila V. Varavina
PDF (Русский)
213-222

Cultural Heritage in Historical Perspective

Nikolai Myaskovsky on the Pages of the Journal “Sovetskaya Muzyka” During the Years 1933–1951: Content Analysis
Natalia A. Gorbunova
PDF (Русский)
223-232