Full Issue
| View or download the full issue | FULL ISSUE № 4 2021 (Russian) ABSTRACTS CONTRIBUTORS |
Table of Contents
Music Theory
| “Treulicher Unterricht im General-Bass” by David Kelner: about the Primary Text of the Russian Translation | PDF (Russian) |
| Inga A. Presnyakova | 7-15 |
Sacred Music
| The Image of the Mother of God “Life-Giving Source” in the Icon Painting and Singing Tradition: a Profound Synergy of Expressive Means | PDF (Russian) |
| Galina V. Alekseeva | 16-24 |
Contemporary Musical Art
| “The Magic of Repetition” in Iraida Yusupova’s Music | PDF (Russian) |
| Yuliya N. Panteleeva | 25-33 |
Musical Genre and Style
| Symphonic Explorations in Finnish Music during the 1960s: Arabescata by Einojuhani Rautavaara and Henrik Otto Donner’s First Symphony | PDF (Russian) |
| Irina V. Koposova | 34-51 |
History of Western Music
| Aspects of Spiritual Meaning in Francis Poulenc’s Opera Dialogues of the Carmelites | PDF (Russian) |
| Valentina V. Azarova | 52-62 |
International Division
| Strophic and Sonata Form in the Italian Opera Aria of the 1720s and the 1730s | PDF PDF (Russian) |
| Pavel V. Lutsker, Irina P. Susidko | 63-75 |
| Vsevolod Zaderatsky – a Composer with a Tragic Fate | |
| Anton A. Rovner | 76-92 |
| The Cultural Canon of Russian Music in the Series “The Lives of Wonderful People” (From the End of the 19th to the First Decades of the 21st Century) | |
| Lyubov A. Kupets | 93-106 |
Cultural Heritage in Historical Perspective
| Gramophone Recordings of Early 20th Century Tatar Music: Singer and Accordionist Mirfaiz Babazhanov | PDF (Russian) |
| Idris M. Gaziev | 107-115 |
Musical Culture of the Peoples of the World
| Tan Dun’s Conception of Organic Music | PDF (Russian) |
| Linji Zhu | 116-125 |
| Kazakh Dombra Music and Dina Nurpeisova’s Compositions | PDF (Russian) |
| Aytolkyn A. Toktagan, Saniya O. Bazheneeva, Dana T. Ibragim, Raushan S. Maldybaeva | 126-137 |
| Popularization of Folk Musical Instruments Among Young People (by the Example of the Kazakh Traditional Kobyz) | PDF (Russian) |
| Aknar T. Sharipbaeva | 138-144 |
Musical Education
| Innovational Prospects of Artistic Education | PDF (Russian) |
| Alexander I. Demchenko | 145-160 |
| Concerning the Specific Features of Musical Instrumental Performance among Students with Impairments in Eyesight | PDF (Russian) |
| Sergei N. Fedin, Nina A. Mitskevich, Oleg N. Kharsenyuk, Elbrus R. Shabaev, Andrei S. Lisimenko | 161-169 |
Musical Theater
| Specific Features of Work with the Poetic Text in the Post-Opera (by the Example of Tan Dun’s Opera Marco Polo) | PDF (Russian) |
| Elena V. Kiseyeva | 170-180 |
| Certain Peculiarities of the Dramaturgical and Compositional Structure of John Adams’ Opera Doctor Atomic | PDF (Russian) |
| Alexandra V. Shornikova | 180-188 |
Music in the System of Culture
| Cinema Music in Uzbekistan in the Context of the Issue of Synthesis of the Arts | PDF (Russian) |
| Shoyista Sh. Ganikhanova | 189-196 |
Reviews
| To Verify Algebra with Harmony (About Beslan Ashkhotov’s Book “The Musical Nartiad: An Attempt of Research”) | PDF (Russian) |
| Khazhismel G. Tkhagapsoev | 197-204 |