| Issue | Title | |
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Musical Text of Western European Baroque Instrumental Music in an Analytical Reevaluation by the Student-Performer of Institutions of Higher Education | Abstract PDF (Russian) |
| Irina V. Alexeyeva | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Order of Grace in Francis Poulenc’s Dialogues of the Carmelites | Abstract PDF (Russian) |
| Valentina V. Azarova | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Organization and Content of Musical Performance Training in the Higher National Conservatories of Music and Dance in Paris and Lyon | Abstract PDF (Russian) |
| Lyubov A. Buryakova, Lyudmila V. Varavina | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Origins of Musicology: The Ancient World and Antiquity | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 4 (2025): Russian Musicology | The Orteke Tradition: An Examination of the Relationship Between Music and Puppetry in Central Asia | Abstract PDF |
| Gökhan Usal | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Paradigm of Gesture in Leevi Madetoja’s Okon Fuoko | Abstract PDF (Russian) |
| Vera I. Nilova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Particular Features of Students’ Scholarly-Research and Artistic Activities from the 1960s to the 1980s by the Example of the Ufa State Institute for the Arts | Abstract PDF (Russian) |
| Mars L. Akhmadullin, Elvira D. Khadimullina, Ruslan R. Khadimullin | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Particularities of Comprehending the Concepts of “Performativity” and “Performance” in Contemporary Music Scholarship in Russia and Other Countries | Abstract PDF (Russian) |
| Vasily Yu. Kiseyev, Elena V. Kiseyeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Particularities of the Stage Interpretations of Piotr Tchaikovsky’s “Eugene Onegin” Directed by Eugene Aryeh in the Production of the Bolshoi Theater (2019) | Abstract PDF (Russian) |
| Elka Alkhateeb, Marina L. Zaitseva | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Performative Features of Steve Reich’s Documentary Musical Video Theater | Abstract PDF (Russian) |
| Alexandra V. Shornikova | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Phenomenon of Digitalizing Music as a Factor of New Sociocultural Transformations | Abstract PDF (Russian) |
| Anna V. Popova, Svetlana S. Gorokhova, Guzel M. Aznagulova, Marianna G. Abramova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Phenomenon of Freakishness in Russian Popular Music: Concerning the Study of the Problem | Abstract PDF |
| Yuliya V. Antipova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Possibilities and Prospects for the Use of Music Computer Technologies in Therapy Dealing with Psychogenic Disorders | Abstract PDF (Russian) |
| Marina N. Korsakova-Kreyn, Alexander I. Fedotchev | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Principle of Self-Contained Formation of the Musical Form: Functional and Semantic Aspects | Abstract PDF (Russian) |
| Natalia V. Devutskaya | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Principles and Methods of the Gnesins’ School of Musicology in the Study of the Kuban Traditional Music Culture | Abstract PDF |
| Svetlana A. Zhiganova | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Problem of Authorship in the Epoch of New Media. The Universal Digital Archive as a Source of Trans-Medial Transcriptions | Abstract PDF |
| Svetlana V. Lavrova | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Processes of Digitalization in Art and Creativity: Dialectics of Interconnection | Abstract PDF (Russian) |
| Nadezhda A. Tsareva | ||
| No 2 (2025): Russian Musicology | The Programmatic Character of Music as a Marker of the National Specificity of the Piano Concerto Genre in Guo Zurong’s Music | Abstract PDF |
| Xiwen Cui | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Prospects of Applying Artificial Intelligence in Musical Composition | Abstract PDF (Russian) |
| Marina V. Pereverzeva | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Recycling of Igor Stravinsky in the Journal “Sovetskaya Muzyka” During the Period of 1933–1966 | Abstract PDF (Russian) |
| Natalya A. Gorbunova | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Rhythm of Birds: A Programmatic Musical Composition about Living in Tanjung Malim | Abstract PDF |
| Junita Batubara | ||
| No 1 (2026): Russian Musicology | The Role of Mentality in Understanding Musical-Theoretical Definitions (On the Example of Timbre and Texture Analysis in the Works of Chinese Musicologists) | Abstract PDF |
| Cui Xiwen, Alexandra V. Krylova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Role of Screen Images in Meredith Monk’s Musical Performances | Abstract PDF (Russian) |
| Vasily Yu. Kiseyev | ||
| No 4 (2025): Russian Musicology | The Role of the Individual and the Collective Aspects in the Formation of the Genre of the Adyghes’ Heroic-Historical Song | Abstract PDF |
| Beslan G. Ashkhotov | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Russian Music Society in the Far-Eastern Republic: Bonds of History | Abstract PDF (Russian) |
| Natalia I. Efimova, Alina I. Krapiva | ||
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