| Issue | Title | |
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | “The Feeling of the Right Path or the Method of Artistic Creativity”: About Nikolai Korndorf’s Composition In D | Abstract PDF |
| Yuliya N. Panteleeva | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “The Magic of Repetition” in Iraida Yusupova’s Music | Abstract PDF (Russian) |
| Yuliya N. Panteleeva | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “The Russian Element” in the Music on “the Russian Theme” by Composers from Outside Russian | Abstract PDF (Russian) |
| Liudmila P. Kazantseva, Polina S. Volkova | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | “The Specter of Drama in the Specter of Another Drama”: The Anamorphosis of the Singspiel and the Palimpsest Effect in Aspern by Salvatore Sciarrino | Abstract PDF |
| Anna G. Chupova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “Treulicher Unterricht im General-Bass” by David Kelner: about the Primary Text of the Russian Translation | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 2 (2025): Russian Musicology | “Valya Kholopova Loves Music Tremendously…” An Interview Written in the Form of a Monologue | Abstract PDF |
| Tatiana I. Naumenko | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | “Variations on Variations”: History of the Jazz Transformations of the Allegretto from Beethoven’s Seventh Symphony | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | “War and Peace”: the Notional Paradigm. Following the Second International Scholarly Forum “Dialogue of the Arts and Artistic Paradigms” (“SCIENCEFORUM PAN-ART”) | Abstract PDF (Russian) |
| Oksana S. Barabash | ||
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