Full Issue
| View or download the full issue | FULL ISSUE № 1 2024 (Russian) |
Table of Contents
Cultural Heritage in Historical Perspective
| Mirrors of Memory: Liudmila Shestakova and Mikhail Glinka. Second Article | PDF (Russian) |
| Svetlana K. Lashchenko | 8-23 |
| The Academic Activities of the Gnesins’ State Musical-Pedagogical Institute During the First Ten Years of its Work | |
| Tatiana I. Naumenko | 24-36 |
Sacred Music
| The Influence of the Ontology of Orthodox Christian Art on Music and Icon Painting | |
| Galina V. Alekseeva | 37-51 |
Musical Theater
| In Search for a Genuine Reality: The Specificity of Genre and Dramaturgy in Per Nørgård’s opera Siddharta | PDF (Russian) |
| Ekaterina G. Okuneva | 52-67 |
| Anton Chekhov’s Novelette The Black Monk as an Object of Compositional Reflection (on the Example of the Eponymous Opera by Alexei Kurbatov) | PDF (Russian) |
| Alexander I. Demchenko, Dinara M. Disenova | 68-80 |
Music Theory
| The Music of Fausto Romitelli: Concerning the Question of “Musical Material” | |
| Tatiana V. Tsaregradskaya | 81-90 |
| A Glance at Cryptophony in Alexander Raikhelson’s Six Translations from Willi Melnikov for Theremin and Piano | PDF (Russian) |
| Irina V. Koposova | 91-104 |
| The Multidimensionality of the Harmony in Sergei Rachmaninoff’s Compositions Written in Large-Scale Forms: The Experience of Analysis of the Third Piano Concerto | |
| Vitaly V. Aleev | 105-113 |
Musical Cultures of Russia
Musical Education
| Transcriptions of Musical Texts in Work with Beginning Pianists | |
| Liudmila N. Shaymukhametova | 126-135 |
| “Folk Music Culture” as an Academic Discipline in the System of Secondary Vocational Education: Problems and Perspectives | PDF (Russian) |
| Varvara P. Kalyuzhnaya | 136-144 |
Music in the System of Culture
| The Problem of Authorship in the Epoch of New Media. The Universal Digital Archive as a Source of Trans-Medial Transcriptions | |
| Svetlana V. Lavrova | 145-156 |
| The Processes of Digitalization in Art and Creativity: Dialectics of Interconnection | PDF (Russian) |
| Nadezhda A. Tsareva | 157-168 |
| The Artistic Installation as a Form of Transmitting of Socially Significant Meanings | |
| Alexandra V. Krylova | 169-181 |
History and Theory of Culture
| Creativity as a Universal Phenomenon of Existence (About Olga Zhukova’s Authorial Conception) | |
| Polina S. Volkova | 182-190 |