| Журнал | Выпуск | Название | |
| Russian Musicology | № 3 (2024): Russian Musicology | Music of Frederic Chopin in the Works of the Rock Group MUSE | Аннотация PDF (English) |
| Anastasia E. Zayarnaya, Liudmila P. Kazantseva | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Mio ben ricordati by Franz Schubert and Mikhail Glinka: Concerning the Problem of “the Personal” and “the Alien” | Аннотация PDF (English) |
| Nina V. Pilipenko | |||
| Russian Musicology | № 3 (2024): Russian Musicology | The Music to Valentin Kataev’s Fairy Tale The Wishing Seven-Colored Flower in the Space of Russia’s and China’s Screen Culture | Аннотация PDF (English) |
| Chen Zizhan | |||
| Russian Musicology | № 3 (2024): Russian Musicology | The Chief Directions of Scholarly Activity of the St. Petersburg Conservatory | Аннотация PDF (English) |
| Natalia I. Degtyareva | |||
| Russian Musicology | № 3 (2024): Russian Musicology | The Scholarly Activities of the Astrakhan State Conservatory | Аннотация PDF (English) |
| Liudmila V. Savvina | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Contemporary Music and the Methods of its Analysis | Аннотация PDF (English) |
| Tatiana V. Tsaregradskaya | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Martin Romberg’s Choral Music: Stylistic Features | Аннотация PDF (English) |
| Ekaterina G. Okuneva, Olga V. Shmakova | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Musical Scholarship of the “Golden Age” of Qing Dynasty Based on 17th and 18th Centuries Books and Treatises | Аннотация PDF (English) |
| Fu Xiaojiao | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Piano Arrangements as a Universal Principle of Adaptation of European Artistic Values to the Peculiarities of Chinese Musical Culture | Аннотация PDF (English) |
| Anatoly V. Pchelintsev, Anna G. Alyabyeva | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Music Score Publishing Companies in the Second Half of the 19th and Early 20th Centuries: The Price Lists of the “P. Jurgenson” Music Sales Company (From the Collection of the Russian State Library) | Аннотация PDF (English) |
| Olga V. Radzetskaya | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Certain Trends in Instructing Musical Theory Courses Abroad | Аннотация PDF (English) |
| Tatiana N. Krasnikova | |||
| Russian Musicology | № 3 (2024): Russian Musicology | About Leopold Mozart’s Pedagogical Principles | Аннотация PDF (English) |
| Irina P. Susidko, Pavel V. Lutsker | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Wolfgang Amadeus Mozart: the Composer’s First Steps | Аннотация PDF (English) |
| Irina P. Susidko, Pavel V. Lutsker | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Nicola Sala’s Regole del contrappunto pratico (1794): History, Theory, and Practice | Аннотация PDF (English) |
| Anastasia I. Maslova | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Revisiting Musical Semiotics: Returning to Greek Stoic Definitions | Аннотация PDF (English) |
| Ildar D. Khannanov | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Michael Nyman’s Opera Noises, Sounds and Sweet Airs and Questions of Interpretation of Shakespeare’s The Tempest | Аннотация PDF (English) |
| Ekaterina G. Okuneva, Anastasiya A. Nogovitsyna | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Cendrillon, Cenerentola, and Agatina: The Plot Structure and Composition in the Operas by Nicolò Izouard, Gioachino Rossini and Stefano Pavesi | Аннотация PDF (English) |
| Nina V. Pilipenko | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Simon Steen-Andersen — a Composer of the Postmodernist Era | Аннотация PDF (English) |
| Tatiana V. Tsaregradskaya | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Total Music in the Creative Experiments of Composer Alexander Manotskov | Аннотация PDF (English) |
| Olga A. Putecheva | |||
| Russian Musicology | № 4 (2024): Russian Musicology | A Successful Blend of Diverse Styles, Genres and Techniques in Andrew Thomas’ Orchestral Works from the End of the 20th Century | Аннотация PDF (English) |
| Anton A. Rovner | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Musical Terminology in 19th Century Russian Tutorial Translated Editions | Аннотация PDF (English) |
| Elena S. Derunets | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Nikolai Rimsky-Korsakov’s Third Textbook in Alexander Ossovsky’s Notes: Concerning the History of the Formation of the St. Petersburg School of Music Theory | Аннотация PDF (English) |
| Tamara I. Tverdovskaya, Alla I. Yankus | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Pedagogical Practice at the Gnesin Russian Academy of Music: Temporal Parallels | Аннотация PDF (English) |
| Dmitri V. Belyak | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Elena Malinovskaya: Theatrical and Musical Education in the Late 1910s–1930s | Аннотация PDF (English) |
| Petr N. Gordeev | |||
| Russian Musicology | № 2 (2022): Проблемы музыкальной науки / Music Scholarship | Bertoldo, Bertoldino e Cacasenno: исследование оригинальной рукописной партитуры | Аннотация PDF (English) |
| Pavel V. Lutsker | |||
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