| Issue | Title | |
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Scene of the Dramatic Culmination in The Tidings Brought to Mary, a Mystery Play by Paul Claudel, from the 1912 Edition. Organization of the Sound Space | Abstract PDF |
| Valentina V. Azarova | ||
| No 3 (2024): Russian Musicology | The Scholarly Activities of the Astrakhan State Conservatory | Abstract PDF |
| Liudmila V. Savvina | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Second Version of The Pskov Maid in the Context of Nikolai Rimsky-Korsakov’s Opera Legacy | Abstract PDF (Russian) |
| Maria V. Skuratovskaya | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Semantic Functions of the Musical Quotations in Luchino Visconti’s Film Vaghe stelle dellʼOrsa… | Abstract PDF (Russian) |
| Anastasia A. Komarova | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Semantic Structures of the Musical Text and Practical Semantics | Abstract PDF |
| Liudmila N. Shaymukhametova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Sentimentalist Features of Thomas Augustine Arne's Opera “Thomas and Sally” | Abstract PDF (Russian) |
| Elena V. Pankina, Anastasia S. Privalova | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Singing Intonation and the Physical Actions of an Opera Artist: an Interdisciplinary Analysis | Abstract PDF (Russian) |
| Elena N. Yarkova | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Small Contrapuntal Cycle in the Music of Paul Natorp | Abstract PDF |
| Polina S. Volkova, Shaoying Guo, Zehuan Huang | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Sonar Space of the Practices of Commemoration of Contemporary Museums | Abstract PDF (Russian) |
| Vera N. Dyomina | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Specificity of Self-Realization of Adolescents with the Musical Type of Giftedness | Abstract PDF (Russian) |
| Sergei I. Kudinov, Zulfiya R. Khayrova, Olga В. Mikhailova, Stanislav S. Kudinov, Irina B. Kudinova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Structure of Russian Music Scholarship: Historical Musicology | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Structure of the Text Model of the Stichera Come, Let Us Thank Joseph | Abstract PDF (Russian) |
| Svetlana S. Goncharenko | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Symphonic and Suite Traits in Piotr Tchaikovsky’s Piano Concertos | Abstract PDF (Russian) |
| Dmitri V. Belyak | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Texture of Giya Kancheli’s Sixth Symphony: Stylistic Peculiarities | Abstract PDF (Russian) |
| Tatiana N. Krasnikova | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Trans-Disciplinary Approach to the Study of Musical Phenomena: The Information Theory and Its Impact on Various Fields of Musicology | Abstract PDF (Russian) |
| Irina B. Gorbunova, Mikhail S. Zalivadny | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Vocal Symphony in the Interpretation of Leif Segerstam and Pehr Henrik Nurdgren | Abstract PDF (Russian) |
| Irina V. Koposova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Zonal Theory of Musical Time and the Trans-Disciplinary Approach to the Study of Musical Phenomena | Abstract PDF (Russian) |
| Irina B. Gorbunova, Mikhail S. Zalivadny | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The “Ballet within a Ballet”: The Creative Searches of Contemporary Choreographers | Abstract PDF (Russian) |
| Natalia L. Kabachek | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The “Song Opera” of the 1930s: In Search for New Poetics of the Genre | Abstract PDF (Russian) |
| Tatiana I. Naumenko | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Three “Arkaim” Ballets: The Legendary Past of the Southern Urals in Contemporary Musical Culture | Abstract PDF (Russian) |
| Sergei S. Sokovikov, Elena A. Kaminskaya | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Timbral Innovations in Heinz Holliger’s Choral Music: from Dona nobis pacem to Die Jahreszeiten | Abstract Без имени (Russian) PDF (Russian) |
| Alexander S. Ryzhinsky | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | To Verify Algebra with Harmony (About Beslan Ashkhotov’s Book “The Musical Nartiad: An Attempt of Research”) | Abstract PDF (Russian) |
| Khazhismel G. Tkhagapsoev | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Topoi and Narratives in Classical Instrumental Music: Ideen and il filo in Mozart’s Clavier Sonata KV 311/284c | Abstract PDF |
| Irina P. Susidko | ||
| No 4 (2024): Russian Musicology | Total Music in the Creative Experiments of Composer Alexander Manotskov | Abstract PDF |
| Olga A. Putecheva | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Towards the Ontology of Orthodox Christian Art | Abstract PDF (Russian) |
| Galina V. Alekseeva | ||
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