| Журнал | Выпуск | Название | |
| Russian Musicology | № 3 (2024): Russian Musicology | Music of Frederic Chopin in the Works of the Rock Group MUSE | Аннотация PDF (English) |
| Anastasia E. Zayarnaya, Liudmila P. Kazantseva | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Mio ben ricordati by Franz Schubert and Mikhail Glinka: Concerning the Problem of “the Personal” and “the Alien” | Аннотация PDF (English) |
| Nina V. Pilipenko | |||
| Russian Musicology | № 3 (2024): Russian Musicology | The Music to Valentin Kataev’s Fairy Tale The Wishing Seven-Colored Flower in the Space of Russia’s and China’s Screen Culture | Аннотация PDF (English) |
| Chen Zizhan | |||
| Russian Musicology | № 3 (2024): Russian Musicology | The Chief Directions of Scholarly Activity of the St. Petersburg Conservatory | Аннотация PDF (English) |
| Natalia I. Degtyareva | |||
| Russian Musicology | № 3 (2024): Russian Musicology | The Scholarly Activities of the Astrakhan State Conservatory | Аннотация PDF (English) |
| Liudmila V. Savvina | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Contemporary Music and the Methods of its Analysis | Аннотация PDF (English) |
| Tatiana V. Tsaregradskaya | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Martin Romberg’s Choral Music: Stylistic Features | Аннотация PDF (English) |
| Ekaterina G. Okuneva, Olga V. Shmakova | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Musical Scholarship of the “Golden Age” of Qing Dynasty Based on 17th and 18th Centuries Books and Treatises | Аннотация PDF (English) |
| Fu Xiaojiao | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Piano Arrangements as a Universal Principle of Adaptation of European Artistic Values to the Peculiarities of Chinese Musical Culture | Аннотация PDF (English) |
| Anatoly V. Pchelintsev, Anna G. Alyabyeva | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Music Score Publishing Companies in the Second Half of the 19th and Early 20th Centuries: The Price Lists of the “P. Jurgenson” Music Sales Company (From the Collection of the Russian State Library) | Аннотация PDF (English) |
| Olga V. Radzetskaya | |||
| Russian Musicology | № 3 (2024): Russian Musicology | Certain Trends in Instructing Musical Theory Courses Abroad | Аннотация PDF (English) |
| Tatiana N. Krasnikova | |||
| Russian Musicology | № 3 (2024): Russian Musicology | About Leopold Mozart’s Pedagogical Principles | Аннотация PDF (English) |
| Irina P. Susidko, Pavel V. Lutsker | |||
| Russian Musicology | № 2 (2025): Russian Musicology | The Concept of Ethnomusical Regionalism of the East Slavs: Formation and Current State | Аннотация PDF (English) |
| Larisa M. Belogurova | |||
| Russian Musicology | № 2 (2025): Russian Musicology | The Programmatic Character of Music as a Marker of the National Specificity of the Piano Concerto Genre in Guo Zurong’s Music | Аннотация PDF (English) |
| Xiwen Cui | |||
| Russian Musicology | № 2 (2025): Russian Musicology | Mozart and Mendelssohn: The Sonata da chiesa — a “Phoenix” of Baroque Forms | Аннотация PDF (English) |
| Ekaterina I. Porizko | |||
| Russian Musicology | № 2 (2025): Russian Musicology | The Image of Kuma from Pyotr Tchaikovsky’s The Enchantress in Contemporary Opera Productions: Concerning the Question of Musical Rossica | Аннотация PDF (English) |
| Mengqi Shao | |||
| Russian Musicology | № 2 (2025): Russian Musicology | The Soviet Song Heritage of World War II: From Inertia to Intention | Аннотация PDF (English) |
| Yaroslav V. Gloushakov | |||
| Russian Musicology | № 2 (2025): Russian Musicology | “Valya Kholopova Loves Music Tremendously…” An Interview Written in the Form of a Monologue | Аннотация PDF (English) |
| Tatiana I. Naumenko | |||
| Russian Musicology | № 2 (2025): Russian Musicology | From Nono’s Prometeo to Ferneyhough’s Shadowtime: An Evolution of the Idea of the “Dramma in Musica” | Аннотация PDF (English) |
| Alexander S. Ryzhinsky | |||
| Russian Musicology | № 2 (2025): Russian Musicology | New Strings Gather at the Pear Garden to Evoke the Sound of Unmatched Beauty: The National Sound-Dramatic Rhetorics of Jia Daqun’s Liyuan | Аннотация PDF (English) |
| Dandan Wang | |||
| Russian Musicology | № 2 (2025): Russian Musicology | Starry Sky Lightens the Hearts of Music Lovers | Аннотация PDF (English) |
| Gu Ben | |||
| Russian Musicology | № 2 (2025): Russian Musicology | Music Publication Catalogues and Music Journals in Russia in the Second Half of the 19th and the Early 20th Century: Features of Advertising and Marketing Interaction | Аннотация PDF (English) |
| Olga V. Radzetskaya | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Wolfgang Amadeus Mozart: the Composer’s First Steps | Аннотация PDF (English) |
| Irina P. Susidko, Pavel V. Lutsker | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Nicola Sala’s Regole del contrappunto pratico (1794): History, Theory, and Practice | Аннотация PDF (English) |
| Anastasia I. Maslova | |||
| Russian Musicology | № 4 (2024): Russian Musicology | Revisiting Musical Semiotics: Returning to Greek Stoic Definitions | Аннотация PDF (English) |
| Ildar D. Khannanov | |||
| 1 - 25 из 359 результатов | 1 2 3 4 5 6 7 8 9 10 > >> | ||