Транскрипции хореографических образов М. Петипа в балете С. Прокофьева «Золушка»
Аннотация
Ключевые слова: балеты Сергея Прокофьева, Мариус Петипа, академический балет, балет «Золушка», комическое в музыке.
1. Borodin B. B. Komicheskoe v muzyke [The Comical in Music]. Moscow: Kompozitor, 2004. 206 p.
2. Goryacheva T. A. Komicheskoe v muzyke kak fenomen istorii khudozhestvennoy kul'tury: dis. … kand. filos. nauk [The Comical in Music as a Phenomenon in the History of Artistic Culture: Dissertation for the Degree of Candidate of Philosophical Sciences]. St. Petersburg, 2009. 167 p.
3. Dolinskaya E. B. Teatr Prokof'eva [The Theater of Prokofiev]. Moscow: Kompozitor, 2012. 376 p.
4. Illarionov B. A. 1910. Petipa i Dyagilev [1910. Petipa and Diaghilev]. Vestnik Akademii russkogo baleta imeni A. Ya. Vaganovoy [Bulletin of the Vaganova Academy of Russian Ballet]. 2017. No. 3, pp. 116–122.
5. Karnovich O. A. Skazka na baletnoy stsene (interpretatsiya syuzheta “Zolushki”): dis. … kand. iskusstvovedeniya [The Fairy Tale on the Ballet Stage (Interpretation of the Plot of “Cinderella”): Dissertation for the Degree of Candidate of Arts]. Moscow, 2016. 220 p.
6. Korobova A. G. The Comic as Modality of Artistic Text and its Appearances in Music. Problemy muzyikal'noj nauki/Music Scholarship. 2009. No. 2, pp. 135–142.
7. Kurysheva T. A. Solnechnaya simfoniya [The Solar Symphony]. Sovetskaya kul'tura [Soviet Culture]. 1991. 5 January.
8. Safonova T. V., Fomina Z. V. About the Foundations of Optimism in Sergei Prokofiev’s Music. Problemy muzykal'noj nauki/Music Scholarship. 2016. No. 4, pp. 66–71. DOI: 10.17674/1997-0854.2016.4.066-071.
9. Solomonova O. B. I kogda smeetsya litso – vmeste s nim ne veselitsya um (smekhovoe zazerkal'e russkoy muzykal'noy klassiki): monografiya [And When the Face Laughs – While Along with it the Mind is not Happy (Laughter through the Looking Glass of the Russian Musical Classics): a Monograph]. Kiev: Zadruga, 2006. 380 p.
10. Shuvalova A. A. Concerning Sergei Prokofiev’s Manner of Working on His Musical Compositions (on the Material of the Composer’s and His Contemporaries’ Statements). Problemy muzykal'noj nauki/Music Scholarship. 2016. No. 2, pp. 147–152. DOI: 10.17674/1997-0854.2016.2.147-152.
11. Akopyan L. O. The Modernist Trend in Soviet Russian Music between the Wars: an Isolated Episode or a Part of a Big Current? Lietuvos Muzikologija. 2016. V. 17, pp. 82–92.
12. Glivinsky V. V. Fedoseyev I. S. The St. Petersburg Classic School: Myth or Reality? European Journal of Arts. 2016. No. 1, pp. 14–20.
13. Orlov V. S. Prokofiev and the Myth of the Father of Nations: the Cantata “Zdravitsa”. Three Oranges Journal. 2014. No. 26, pp. 16–24.
14. Pohorila M. S. Transformation of Classic Dance in Ballets in One Act of Oleksii Ratmanskiy. Naukoviy vіsnik kiїvs'kogo natsіonal'nogo unіversitetu teatru, kіno і telebachennya іmenі I. K. Karpenka-Karogo [Scholarly Bulletin of the Kiev National I. K. Karpenko-Caryy University of Theater, Cinema and Television]. 2016. No. 18, pp. 57–63.
15. Zenkin K. V. The Perceptual Spaces in Music and the Role of Reflection Symmetry in their Structuring Symmetry. Culture and Science. 2014. V. 25. No. 3, pp. 157–176.
Полный текст:
PDFЛитература
Borodin B. B. Komicheskoe v muzyke [The Comical in Music]. Moscow: Kompozitor, 2004. 206 p.
Goryacheva T. A. Komicheskoe v muzyke kak fenomen istorii khudozhestvennoy kul'tury: dis. … kand. filos. nauk [The Comical in Music as a Phenomenon in the History of Artistic Culture: Dissertation for the Degree of Candidate of Philosophical Sciences]. St. Petersburg, 2009. 167 p.
Dolinskaya E. B. Teatr Prokof'eva [The Theater of Prokofiev]. Moscow: Kompozitor, 2012. 376 p.
Illarionov B. A. 1910. Petipa i Dyagilev [1910. Petipa and Diaghilev]. Vestnik Akademii russkogo baleta imeni A. Ya. Vaganovoy [Bulletin of the Vaganova Academy of Russian Ballet]. 2017. No. 3, pp. 116–122.
Karnovich O. A. Skazka na baletnoy stsene (interpretatsiya syuzheta “Zolushki”): dis. … kand. iskusstvovedeniya [The Fairy Tale on the Ballet Stage (Interpretation of the Plot of “Cinderella”): Dissertation for the Degree of Candidate of Arts]. Moscow, 2016. 220 p.
Korobova A. G. The Comic as Modality of Artistic Text and its Appearances in Music. Problemy muzyikal'noj nauki/Music Scholarship. 2009. No. 2, pp. 135–142.
Kurysheva T. A. Solnechnaya simfoniya [The Solar Symphony]. Sovetskaya kul'tura [Soviet Culture]. 1991. 5 January.
Safonova T. V., Fomina Z. V. About the Foundations of Optimism in Sergei Prokofiev’s Music. Problemy muzykal'noj nauki/Music Scholarship. 2016. No. 4, pp. 66–71. DOI: 10.17674/1997-0854.2016.4.066-071.
Solomonova O. B. I kogda smeetsya litso – vmeste s nim ne veselitsya um (smekhovoe zazerkal'e russkoy muzykal'noy klassiki): monografiya [And When the Face Laughs – While Along with it the Mind is not Happy (Laughter through the Looking Glass of the Russian Musical Classics): a Monograph]. Kiev: Zadruga, 2006. 380 p.
Shuvalova A. A. Concerning Sergei Prokofiev’s Manner of Working on His Musical Compositions (on the Material of the Composer’s and His Contemporaries’ Statements). Problemy muzykal'noj nauki/Music Scholarship. 2016. No. 2, pp. 147–152. DOI: 10.17674/1997-0854.2016.2.147-152.
Akopyan L. O. The Modernist Trend in Soviet Russian Music between the Wars: an Isolated Episode or a Part of a Big Current? Lietuvos Muzikologija. 2016. V. 17, pp. 82–92.
Glivinsky V. V. Fedoseyev I. S. The St. Petersburg Classic School: Myth or Reality? European Journal of Arts. 2016. No. 1, pp. 14–20.
Orlov V. S. Prokofiev and the Myth of the Father of Nations: the Cantata “Zdravitsa”. Three Oranges Journal. 2014. No. 26, pp. 16–24.
Pohorila M. S. Transformation of Classic Dance in Ballets in One Act of Oleksii Ratmanskiy. Naukoviy vіsnik kiїvs'kogo natsіonal'nogo unіversitetu teatru, kіno і telebachennya іmenі I. K. Karpenka-Karogo [Scholarly Bulletin of the Kiev National I. K. Karpenko-Caryy University of Theater, Cinema and Television]. 2016. No. 18, pp. 57–63.
Zenkin K. V. The Perceptual Spaces in Music and the Role of Reflection Symmetry in their Structuring Symmetry. Culture and Science. 2014. V. 25. No. 3, pp. 157–176.
DOI: http://dx.doi.org/10.17674/1997-0854.2018.2.118-123
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