“War and Peace”: the Notional Paradigm. Following the Second International Scholarly Forum “Dialogue of the Arts and Artistic Paradigms” (“SCIENCEFORUM PAN-ART”)
Abstract
In May 2020 the Second International Scholarly Forum “Dialogue of the Arts and Artistic
Paradigms” (“SCIENCEFORUM PAN-ART”) was held at the Saratov State Leonid V. Sobinov
Conservatory. Its organizer was the Center for Integrated Artistic Research of the Saratov State
Leonid V. Sobinov Conservatory. A compilation of research articles has been formed from the
presentations made as part of it. It was essentially a response to the events of World War II and
was timed to the 75th anniversary of Russia’s Victory in the Great Patriotic War. The author of
the review presents a short summary of the monologic research works conceptually unified into
one polyphonic whole: chronicles of the war. The result of the reviewer’s analytic work was the
conclusion that the “war and peace” paradigm provides an inexhaustible source of meaning,
shades of utterance and intonations, which requires further study. The diversity which reflects
the multitude of opinions, research methodologies and forms of art included into the forum’s
intellectual space is not capable of encompassing the entire depth of the tragedy created by the
war which became not only the greatest catastrophe of recent times, but also the most powerful
stimulus for manifestation of the creative potential of humanity.
Keywords: war and peace, notional paradigm, intellectual space, panorama of the Russian
artistic culture, historical process, chronicles of war.
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DOI: http://dx.doi.org/10.33779/2587-6341.2020.4.158-172
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