| Issue | Title | |
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Early Russian Chant and Contemporary Compositions: A Typology of Conjugacy | Abstract PDF (Russian) |
| Elena E. Lobzakova | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Electronic Music in St. Petersburg: An Overview. Interview with Composer Alexander Kharkovsky | Abstract PDF (Russian) PDF |
| Anton A. Rovner | ||
| No 4 (2024): Russian Musicology | Elena Malinovskaya: Theatrical and Musical Education in the Late 1910s–1930s | Abstract PDF |
| Petr N. Gordeev | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Emotions as a Phenomenon of Vocal and Opera Music | Abstract PDF (Russian) |
| Aleksei A. Kostyuk, Galina V. Alekseeva | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Ethnojazz in the Context of the Folklore Culture: Problematic Aspects of Hybridization | Abstract PDF (Russian) |
| Sergei S. Sokovikov, Elena A. Kaminskaya | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Features of Ensemble Music-Making in the Western European Baroque Solo Violin Musical Text | Abstract PDF (Russian) |
| Irina V. Alexeyeva, Flyura B. Sitdikova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Features of Intertextuality in the Musical Oeuvres of Alexander Bakshi | Abstract PDF (Russian) |
| Olga A. Putecheva | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Ferruccio Busoni’s Doktor Faust: Features of the Aesthetics | Abstract PDF (Russian) |
| Xiangze Wu | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Film Music and the Director’s Aesthetics: Concerning the Methodology of Film Text Analysis | Abstract PDF |
| Yulia V. Mikheeva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Folk Music Revival and Contemporary Tendencies of the National Traditions of Kazakhstan’s Musical Culture | Abstract PDF (Russian) |
| Sajana S. Murzaliyeva, Galiya T. Akparova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Folk Music Wedding Genres of the Meadow Maris | Abstract PDF (Russian) |
| Alevtina A. Voitovich | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Formal Constraint as an Artistic Principle in Hans Abrahamsen’s Vocal Cycle “Let Me Tell You” | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | Franz Schubert’s Alfonso and Estrella: Concerning the Origins of the Plotline | Abstract PDF |
| Nina V. Pilipenko | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | From the History of Early Expeditions of Musicologists from the Gnesins’ Institute to the Russian North (1950–1970s) | Abstract PDF |
| Inessa A. Nikitina | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | German Music Manuals in 18th Century Russian Translations: about the Attributes of the Primary Texts | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Gramophone Recordings of Early 20th Century Tatar Music: Singer and Accordionist Mirfaiz Babazhanov | Abstract PDF (Russian) |
| Idris M. Gaziev | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Henry Purcell’s Vocal Music in John Dryden’s Comedy “Amphitryon; or The Two Sosias” (1690) | Abstract PDF (Russian) |
| Natalia V. Duda | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | History and Lessons of Multilingual Printing (“Art of the National Book” by M. L. Akhmadullin) | Details PDF (Russian) |
| Vladimir R. Aronov | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | In Search for a Genuine Reality: The Specificity of Genre and Dramaturgy in Per Nørgård’s opera Siddharta | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | In Search of Lost Time in Word and Sound: about the Influence of Marcel Proust on the Work of Reynaldo Hahn | Abstract PDF |
| Irina S. Zakharbekova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Innovational Prospects of Artistic Education | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Interparadigmality as a State of Contemporary Musical Culture | Abstract PDF (Russian) |
| Tatiana B. Sidneva | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Interpretation of Genre in Tan Dun’s Opera Nine Songs | Abstract PDF (Russian) |
| Elena V. Kiseyeva, Vasily Yu. Kiseyev | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Interpretation of René Char’s Poetry in Pierre Boulez’s “Le Marteau sans Maître” | Abstract PDF (Russian) |
| Natalia P. Khilko | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Interpretation of the Genre in Kaija Saariaho’s Opera Innocence | Abstract PDF (Russian) |
| Elena V. Kiseyeva, Emma S. Korotkiyeva | ||
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