| Issue | Title | |
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Vocal Symphony in the Interpretation of Leif Segerstam and Pehr Henrik Nurdgren | Abstract PDF (Russian) |
| Irina V. Koposova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Zonal Theory of Musical Time and the Trans-Disciplinary Approach to the Study of Musical Phenomena | Abstract PDF (Russian) |
| Irina B. Gorbunova, Mikhail S. Zalivadny | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The “Ballet within a Ballet”: The Creative Searches of Contemporary Choreographers | Abstract PDF (Russian) |
| Natalia L. Kabachek | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The “Song Opera” of the 1930s: In Search for New Poetics of the Genre | Abstract PDF (Russian) |
| Tatiana I. Naumenko | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Three “Arkaim” Ballets: The Legendary Past of the Southern Urals in Contemporary Musical Culture | Abstract PDF (Russian) |
| Sergei S. Sokovikov, Elena A. Kaminskaya | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Timbral Innovations in Heinz Holliger’s Choral Music: from Dona nobis pacem to Die Jahreszeiten | Abstract Без имени (Russian) PDF (Russian) |
| Alexander S. Ryzhinsky | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | To Verify Algebra with Harmony (About Beslan Ashkhotov’s Book “The Musical Nartiad: An Attempt of Research”) | Abstract PDF (Russian) |
| Khazhismel G. Tkhagapsoev | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Topoi and Narratives in Classical Instrumental Music: Ideen and il filo in Mozart’s Clavier Sonata KV 311/284c | Abstract PDF |
| Irina P. Susidko | ||
| No 4 (2024): Russian Musicology | Total Music in the Creative Experiments of Composer Alexander Manotskov | Abstract PDF |
| Olga A. Putecheva | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Towards the Ontology of Orthodox Christian Art | Abstract PDF (Russian) |
| Galina V. Alekseeva | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Traditions and Innovation in the Performance Practice of Jazz Violinists of the Turn of the 20th and 21st Centuries Joe Venutti and David Goloshchekin | Abstract PDF (Russian) |
| Marina L. Zaitseva, Regina R. Budagyan, Alexei I. Chekmenev | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | Transcriptions of Musical Texts in Work with Beginning Pianists | Abstract PDF |
| Liudmila N. Shaymukhametova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Transcriptions of Symphonic Music in the Repertoires of Folk Musical Instrument Orchestras: A Historical Overview | Abstract PDF (Russian) |
| Mikhail S. Kopyryulin | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Transformation of Orchestration in Rachmaninoff’s Rhapsody on a Theme of Paganini and Jazz Idioms | Abstract PDF (Russian) |
| Vadim Rakochi | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Transformations of the Russian Song Culture During the 1990s (the Regional Aspect) | Abstract PDF (Russian) |
| Olga S. Ilyicheva, Elena V. Komissarova, Galina P. Kibasova | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Typological Model of the Basso Ostinato in Carl Nielsen’s Fifth Symphony | Abstract PDF (Russian) |
| Vera I. Nilova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Utrenya by Krzysztof Penderecki: Concerning the Question of the Influence of the Musical Traditions of Orthodox Christianity | Abstract PDF (Russian) |
| Alexander S. Ryzhinsky | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East | Abstract PDF (Russian) |
| Sergei N. Skorinov, Yana St. Kryzhanovskaya | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Venice and Opera in the 18th Century | Abstract PDF |
| Irina P. Susidko | ||
| No 1 (2025): Russian Musicology | Video Clips as a Relevant Format for Presenting Classical Music and Their Use in the Educational Practices of Universities | Abstract PDF |
| Galina R. Taraeva | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Vladimir Dukelsky’s London Productions of the Second Half of the 1920s: From the Ballet a la Russe – To the English Thriller | Abstract PDF (Russian) |
| Antonina S. Maksimova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Vladimir Georgievich Ehrenberg: A Mocker’s Fate | Abstract PDF |
| Natela I. Enukidze | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Vsevolod Zaderatsky – a Composer with a Tragic Fate | Abstract PDF |
| Anton A. Rovner | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | What the Finch Sang About: Nature in the Narrative of Nikolai Sidelnikov’s Children’s Piano Album | Abstract PDF (Russian) |
| Elena A. Shefova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Where does Russian Music Begin? The Case of Mikhail Glinka in the Biographical Series of “The Lives of Wonderful People” | Abstract PDF (Russian) |
| Lyubov A. Kupets | ||
| 301 - 325 of 346 Items | << < 8 9 10 11 12 13 14 > >> | |