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Issue |
Title |
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No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki |
The Base as an Indispensable Didactic Instrument in Remote and Classroom-Based Formats of Teaching |
Abstract
PDF (Russian)
|
Valery E. Steinberg, Dina R. Fatkhulova |
|
No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship |
The Battle of Stalingrad in Russian and Foreign Music |
Abstract
PDF (Russian)
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Liudmila P. Kazantseva, Oksana I. Lukonina |
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No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship |
The Battle of Stalingrad in Russian and Foreign Music |
Abstract
PDF (Russian)
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Liudmila P. Kazantseva, Oksana I. Lukonina |
|
No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship |
The Biblical Scene Rébecca in the Context of César Franck’s Artistic Biography |
Abstract
PDF (Russian)
|
Tamara I. Tverdovskaya |
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No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship |
The Book of Artists Pavel and Natalia Martynenko Hand-to-Hand Dance: The Experience of Receptive Aesthetics |
Abstract
PDF (Russian)
|
Zehuan Huang |
|
No 3 (2024): Russian Musicology |
The Chief Directions of Scholarly Activity of the St. Petersburg Conservatory |
Abstract
PDF
|
Natalia I. Degtyareva |
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No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
The Chinese Bamboo Flute: History and Constructive Traits |
Abstract
PDF (Russian)
|
Yan Yi Ji |
|
No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
The Complex Model of the Semantic Space of Music: Structure and Features |
Abstract
PDF (Russian)
|
Irina B. Gorbunova, Mikhail S. Zalivadny |
|
No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship |
The Composer-Philosopher as a Key Figure of Musical Aesthetics (by the Example of Tchaikovsky’s Spiritual Endeavor) |
Abstract
PDF (Russian)
|
Shaoying Guo, Mengqi Shao |
|
No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
The Concept of the Pathet and Avoided Tones in Jawatimuran Karawitan |
Abstract
PDF
|
Aris Setiawan |
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No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
The Concerto and Symphonic Principles in the Scherzo from Mahler’s Ninth Symphony |
Abstract
PDF (Russian)
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Vadim Rakochi |
|
No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
The Contemporary Kobyz School of Kazakhstan (Concerning the Issue of Historical Connections and Perspectives) |
Abstract
PDF (Russian)
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Aigerim A. Karsakbayeva, Raushan K. Jumaniyazova |
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No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
The Contribution of Russian Music Teachers and Performers to the Development of Musical Life in Montenegro: The Second Half of the 19th Century to the Present Day |
Abstract
PDF (Russian)
|
Tatjana Krkeljic |
|
No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki |
The Culminating Finale in Paul Hindemith’s Symphony The Harmony of the World |
Abstract
PDF (Russian)
|
Olga V. Shmakova |
|
No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
The Cultural Arts Centre at Tumaini University Makumira in Tanzania: Educational Research in Action |
Abstract
PDF
|
Randall N. Stubbs, Yen-Lin Goh |
|
No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
The Cultural Canon of Russian Music in the Series “The Lives of Wonderful People” (From the End of the 19th to the First Decades of the 21st Century) |
Abstract
PDF
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Lyubov A. Kupets |
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No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
The Culturological Aspects of the Pedagogue Musician’s Professional Training in Cultural Higher Educational Institutes of the Russian Far East |
Abstract
PDF (Russian)
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Evgeniya V. Savelova, Nina Ph. Semyonova, Alexei V. Tyurin |
|
No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
The Eleventh Olympic Games In the Context of the Formation of the Art of Performance |
Abstract
PDF (Russian)
|
Vera N. Dyomina |
|
No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
The Far-Eastern Ritual “Bear Holiday” in the Space of Computer Musical Technologies |
Abstract
PDF (Russian)
|
Irina B. Gorbunova, Svetlana V. Mezentseva |
|
No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship |
The Fixed Poetic Form vs the Musical Form: The Experience of Analyzing Madrigal Settings of Sestina Texts |
Abstract
PDF
|
Larisa L. Gerver |
|
No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship |
The Forms of Interaction of the Folk Song Creativity and Instrumental Music (on the Example of Traditional Solo and Group Singing of the Peoples of the Caucasus) |
Abstract
PDF (Russian)
|
Beslan G. Ashkhotov |
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No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
The Genre Specificity of the Variation Technique in Azerbaijani Song and Dance Forms |
Abstract
PDF (Russian)
|
Inna V. Pazycheva |
|
No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
The Genre-Related and Stylistic Explication of the Song Tradition of the Belgorod Region: The Regional Aspect |
Abstract
PDF (Russian)
|
Mikhail S. Zhirov, Natalia S. Kuznetsova, Olga Ya. Zhirova, Tatiana A. Selyukova |
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No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship |
The Golden Sequence: The History and Pre-History of the Term on the Pages of Russian Musical Guiding Manuals |
Abstract
PDF (Russian)
|
Inga A. Presnyakova |
|
No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki |
The Hidden Symbolism of Three Chorales for a Large Organ by Cesar Franck |
Abstract
PDF (Russian)
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Galina N. Dombrauskene |
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