| Issue | Title | |
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Concerto and Symphonic Principles in the Scherzo from Mahler’s Ninth Symphony | Abstract PDF (Russian) |
| Vadim Rakochi | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Contemporary Kobyz School of Kazakhstan (Concerning the Issue of Historical Connections and Perspectives) | Abstract PDF (Russian) |
| Aigerim A. Karsakbayeva, Raushan K. Jumaniyazova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Contribution of Russian Music Teachers and Performers to the Development of Musical Life in Montenegro: The Second Half of the 19th Century to the Present Day | Abstract PDF (Russian) |
| Tatjana Krkeljic | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Culminating Finale in Paul Hindemith’s Symphony The Harmony of the World | Abstract PDF (Russian) |
| Olga V. Shmakova | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Cultural Arts Centre at Tumaini University Makumira in Tanzania: Educational Research in Action | Abstract PDF |
| Randall N. Stubbs, Yen-Lin Goh | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Cultural Canon of Russian Music in the Series “The Lives of Wonderful People” (From the End of the 19th to the First Decades of the 21st Century) | Abstract PDF |
| Lyubov A. Kupets | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Culturological Aspects of the Pedagogue Musician’s Professional Training in Cultural Higher Educational Institutes of the Russian Far East | Abstract PDF (Russian) |
| Evgeniya V. Savelova, Nina Ph. Semyonova, Alexei V. Tyurin | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Eleventh Olympic Games In the Context of the Formation of the Art of Performance | Abstract PDF (Russian) |
| Vera N. Dyomina | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Far-Eastern Ritual “Bear Holiday” in the Space of Computer Musical Technologies | Abstract PDF (Russian) |
| Irina B. Gorbunova, Svetlana V. Mezentseva | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Fixed Poetic Form vs the Musical Form: The Experience of Analyzing Madrigal Settings of Sestina Texts | Abstract PDF |
| Larisa L. Gerver | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Forms of Interaction of the Folk Song Creativity and Instrumental Music (on the Example of Traditional Solo and Group Singing of the Peoples of the Caucasus) | Abstract PDF (Russian) |
| Beslan G. Ashkhotov | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Genre Specificity of the Variation Technique in Azerbaijani Song and Dance Forms | Abstract PDF (Russian) |
| Inna V. Pazycheva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Genre-Related and Stylistic Explication of the Song Tradition of the Belgorod Region: The Regional Aspect | Abstract PDF (Russian) |
| Mikhail S. Zhirov, Natalia S. Kuznetsova, Olga Ya. Zhirova, Tatiana A. Selyukova | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Golden Sequence: The History and Pre-History of the Term on the Pages of Russian Musical Guiding Manuals | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Hidden Symbolism of Three Chorales for a Large Organ by Cesar Franck | Abstract PDF (Russian) |
| Galina N. Dombrauskene | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | The History of one Song: Concerning Study of the Musical Heritage of the Soviet Period | Abstract PDF |
| Yaroslav V. Gloushakov | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Image of the Mother of God “Life-Giving Source” in the Icon Painting and Singing Tradition: a Profound Synergy of Expressive Means | Abstract PDF (Russian) |
| Galina V. Alekseeva | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Image of Vienna in Johann Nepomuk Nestroy’s Opera Parody Robert der Teuxel | Abstract |
| Alexei A. Vlasov | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Imperishable Johann Sebastian: Dramatik | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Imperishable Johann Sebastian: Postict | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Imperishable Johann Sebastian: Sapiens | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Imperishable Johann Sebastian: Universum | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Industrialization of Musical Culture as a Pattern of Contemporary Society | Abstract PDF (Russian) |
| Natalia A. Malshina | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Inexhaustible Resources of Church Art | Abstract PDF (Russian) |
| Galina V. Alekseeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Influence of Russian Ballets in the 20th Century: L’Homme sans yeux, sans nez et sans oreilles by José Soler Casabón and Parade by Érik Satie | Abstract PDF |
| Sandra Soler Campo, Juan Jurado Bracero | ||
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