| Issue | Title | |
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Strophic and Sonata Form in the Italian Opera Aria of the 1720s and the 1730s | Abstract PDF PDF (Russian) |
| Pavel V. Lutsker, Irina P. Susidko | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Swing Era’s Jazzing the Classics: Pro et Contra | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Symphonic Explorations in Finnish Music during the 1960s: Arabescata by Einojuhani Rautavaara and Henrik Otto Donner’s First Symphony | Abstract PDF (Russian) |
| Irina V. Koposova | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Synaesthesia of Sergei Parajanov’s Works (a Director’s Musical and Artistic Consciousness) | Abstract PDF |
| Polina S. Volkova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Synthesis of Cultural Forms as the Key Paradigm of the Postmodern and Metamodern Eras | Abstract PDF (Russian) |
| Nadezhda A. Tsareva, Valery E. Kuleshov | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Tan Dun’s Conception of Organic Music | Abstract PDF (Russian) |
| Linji Zhu | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | Technologies and Music: The Department of Computerization of Musical Activities at the Novosibirsk Conservatory | Abstract PDF (Russian) |
| Pavel A. Michkov | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Academic Activities of the Gnesins’ State Musical-Pedagogical Institute During the First Ten Years of its Work | Abstract PDF |
| Tatiana I. Naumenko | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Academic School of Liudmila Kazantseva: An Experience of the Decade | Abstract PDF |
| Polina S. Volkova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Anthropomorphic Qualities of Technology in the Postmodern and Post-Postmodern Culture | Abstract PDF (Russian) |
| Nadezhda A. Tsareva | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Art of Academic Music in the Context of Academization | Abstract PDF (Russian) |
| Dmitri I. Varlamov | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Artistic Action “The Conquest of the Winter Palace” for Celebrating the Anniversary of the October Revolution in the History of the Formation of Performative Arts | Abstract PDF (Russian) |
| Vera N. Dyomina | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Artistic Installation as a Form of Transmitting of Socially Significant Meanings | Abstract PDF |
| Alexandra V. Krylova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Artistic Space of the Musical-Liturgical Synthesis in Alfred Schnittke’s Second and Fourth Symphonies | Abstract PDF (Russian) |
| Maria V. Dolmatova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Aspects and Problems of Musicology in the 21th Century in the Republic of Moldova | Abstract PDF |
| Elena S. Mironenko | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Base as an Indispensable Didactic Instrument in Remote and Classroom-Based Formats of Teaching | Abstract PDF (Russian) |
| Valery E. Steinberg, Dina R. Fatkhulova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Battle of Stalingrad in Russian and Foreign Music | Abstract PDF (Russian) |
| Liudmila P. Kazantseva, Oksana I. Lukonina | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Battle of Stalingrad in Russian and Foreign Music | Abstract PDF (Russian) |
| Liudmila P. Kazantseva, Oksana I. Lukonina | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Biblical Scene Rébecca in the Context of César Franck’s Artistic Biography | Abstract PDF (Russian) |
| Tamara I. Tverdovskaya | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Book of Artists Pavel and Natalia Martynenko Hand-to-Hand Dance: The Experience of Receptive Aesthetics | Abstract PDF (Russian) |
| Zehuan Huang | ||
| No 3 (2024): Russian Musicology | The Chief Directions of Scholarly Activity of the St. Petersburg Conservatory | Abstract PDF |
| Natalia I. Degtyareva | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Chinese Bamboo Flute: History and Constructive Traits | Abstract PDF (Russian) |
| Yan Yi Ji | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Complex Model of the Semantic Space of Music: Structure and Features | Abstract PDF (Russian) |
| Irina B. Gorbunova, Mikhail S. Zalivadny | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Composer-Philosopher as a Key Figure of Musical Aesthetics (by the Example of Tchaikovsky’s Spiritual Endeavor) | Abstract PDF (Russian) |
| Shaoying Guo, Mengqi Shao | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Concept of the Pathet and Avoided Tones in Jawatimuran Karawitan | Abstract PDF |
| Aris Setiawan | ||
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