| Issue | Title | |
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Computer Musical Technologies in the Development of Methods of Correction of Human Beings’ Stress Induced Conditions | Abstract PDF (Russian) |
| Alexander I. Fedotchev | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of Musical Self-Organization of Epic Art (by the Example of the Azerbaijani Heroic Epos) | Abstract PDF (Russian) |
| Kamila H. Dadash-zade | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of Reception of Tchaikovsky’s Piano Concertos Outside of Russia | Abstract PDF (Russian) |
| Dmitri V. Belyak | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of Sonic Semantics of Traditional Saami Musical Instruments | Abstract PDF (Russian) |
| Igor V. Soloviev | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of Studying the Specific Features of Intonating in the Finnish-Ugric Monody of the Improvisational Kind | Abstract PDF (Russian) |
| Svetlana V. Kosyreva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of the Main Protagonist in 17th Century Italian Oratorio | Abstract PDF (Russian) |
| Grigory R. Konson | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Question of Determining the Role of Artificial Intellect in Music | Abstract PDF (Russian) |
| Anna V. Popova, Svetlana S. Gorokhova, Guzel M. Aznagulova, Marianna G. Abramova | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Concerning the Question of the Evolution of an Ethno-Musical System (on the Materials of the Song Traditions of the Upper Oka Villages of the Tula Region) | Abstract PDF (Russian) |
| Yuliya V. Gaisina | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Specific Features of Musical Instrumental Performance among Students with Impairments in Eyesight | Abstract PDF (Russian) |
| Sergei N. Fedin, Nina A. Mitskevich, Oleg N. Kharsenyuk, Elbrus R. Shabaev, Andrei S. Lisimenko | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Congratulations! | Details PDF (Russian) |
| Liudmila N. Shaimukhametova | ||
| No 3 (2024): Russian Musicology | Contemporary Music and the Methods of its Analysis | Abstract PDF |
| Tatiana V. Tsaregradskaya | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Contrapuntal Compositions in the Form of Historical Dances in the Conditions of Ensemble Music-Making | Abstract PDF |
| Liudmila N. Shaymukhametova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | Creative Thinking and Creative Technologies as a Modern Component of Instruction of Music Professions | Abstract PDF (Russian) |
| Alexandra V. Krylova, Alexandra V. Shornikova | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | Creativity as a Universal Phenomenon of Existence (About Olga Zhukova’s Authorial Conception) | Abstract PDF |
| Polina S. Volkova | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Digital Art and the Future of Traditional Arts | Abstract PDF |
| Triyono Bramantyo | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Discussions in Soviet Musicology: The “Symphonic Genre” in the Epoch of Excessive Words | Abstract PDF (Russian) |
| Tatiana I. Naumenko | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Early Italian Opera Within the Labyrinths of Postmodernity | Abstract PDF |
| Pavel V. Lutsker, Irina P. Susidko | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Early Russian Chant and Contemporary Compositions: A Typology of Conjugacy | Abstract PDF (Russian) |
| Elena E. Lobzakova | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Electronic Music in St. Petersburg: An Overview. Interview with Composer Alexander Kharkovsky | Abstract PDF (Russian) PDF |
| Anton A. Rovner | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Emotions as a Phenomenon of Vocal and Opera Music | Abstract PDF (Russian) |
| Aleksei A. Kostyuk, Galina V. Alekseeva | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Ethnojazz in the Context of the Folklore Culture: Problematic Aspects of Hybridization | Abstract PDF (Russian) |
| Sergei S. Sokovikov, Elena A. Kaminskaya | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Features of Ensemble Music-Making in the Western European Baroque Solo Violin Musical Text | Abstract PDF (Russian) |
| Irina V. Alexeyeva, Flyura B. Sitdikova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Features of Intertextuality in the Musical Oeuvres of Alexander Bakshi | Abstract PDF (Russian) |
| Olga A. Putecheva | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Ferruccio Busoni’s Doktor Faust: Features of the Aesthetics | Abstract PDF (Russian) |
| Xiangze Wu | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Film Music and the Director’s Aesthetics: Concerning the Methodology of Film Text Analysis | Abstract PDF |
| Yulia V. Mikheeva | ||
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