| Issue | Title | |
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Achievement Motivation and its Impact on Music Students’ Performance and Practice in Tertiary Level Education | Abstract PDF |
| Maria Strenacikova Jr., Maria Strenacikova Sr. | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Acousmatic Sound in Multimedia Installations | Abstract PDF (Russian) |
| Alexandra V. Krylova | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Actualization of Areal History Competence in the Process of Training Music Pedagogues at Universities and Conservatories | Abstract PDF (Russian) |
| Gulzada A. Khusainova, Daulet T. Tapenov, Darkhan E. Kozhebaev, Aigerim E. Zhumasheva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Alexander Nemtin’s Concerto for Organ | Abstract PDF |
| Anton A. Rovner | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Along the Path of Spiritual Self-Knowledge. About Valentina Kholopova’s Monograph “Sofia Gubaidulina” | Abstract PDF (Russian) |
| Nino O. Barkalaya | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | An Interview with Composer and Pianist Nina Siniakova | Abstract PDF |
| Anton A. Rovner | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | An Unpublished Page of Choreographer Filippo Taglioni’s Biography: Based on Materials from the Russian State Historical Archive | Abstract PDF |
| Olga A. Fedorchenko | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | Anton Chekhov’s Novelette The Black Monk as an Object of Compositional Reflection (on the Example of the Eponymous Opera by Alexei Kurbatov) | Abstract PDF (Russian) |
| Alexander I. Demchenko, Dinara M. Disenova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Antonio Vivaldi’s “The Seasons” in the Reinterpretation of British Minimalist Composer Max Richter | Abstract PDF (Russian) |
| Alina R. Izergina, Irina V. Alexeyeva | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Archaic Narrative Motives in Mozart’s “The Magic Flute” | Abstract PDF (Russian) |
| Olga M. Plotnikova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Aspects of Spiritual Meaning in Francis Poulenc’s Opera Dialogues of the Carmelites | Abstract PDF (Russian) |
| Valentina V. Azarova | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Author Function in the Poetics of Contemporary Music | Abstract PDF (Russian) |
| Yuliya N. Panteleeva | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Avant-Garde Scores as a Subject of Artistic Interpretation in Modern Rock Music | Abstract PDF (Russian) |
| Anastasiya Yu. Slobodchikova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Bent Sørensen’s Sounds Like You as a Phenomenon of Contemporary Musical Theater | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Bertoldo, Bertoldino e Cacasenno: the Original Score Examined | Abstract PDF |
| Pavel V. Lutsker | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Boleslav L. Yavorsky’s Activities in Saratov: Following the Pages of the Archived Materials | Abstract PDF |
| Irina V. Polozova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | Borislava Efimenkova’s Research of Northern Russian Lamentations as the Beginning of the Ethnomusicological Science of the Gnesins’ Institute | Abstract PDF |
| Larisa M. Belogurova | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | British Choral Music at the Turn of the 19th and 20th Centuries: the Phenomenon of the English Musical Renaissance | Abstract PDF (Russian) PDF |
| Alexander S. Ryzhinsky | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Catalogues and Price Lists of the Music Publishing Company “Julius Heinrich Zimmerman”: Organization, Advertising Mechanisms and Trade Assortment (from the Collections of the Russian State Library) | Abstract PDF (Russian) |
| Olga V. Radzetskaya | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Certain Peculiarities of the Dramaturgical and Compositional Structure of John Adams’ Opera Doctor Atomic | Abstract PDF (Russian) |
| Alexandra V. Shornikova | ||
| No 3 (2024): Russian Musicology | Certain Trends in Instructing Musical Theory Courses Abroad | Abstract PDF |
| Tatiana N. Krasnikova | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Choral Music in the Works of Hans Werner Henze | Abstract PDF (Russian) |
| Alexander S. Ryzhinsky | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Choral Writing in Iannis Xenakis’ Late Compositions | Abstract PDF |
| Alexander S. Ryzhinsky | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Cinema Music in Uzbekistan in the Context of the Issue of Synthesis of the Arts | Abstract PDF (Russian) |
| Shoyista Sh. Ganikhanova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Computer Music Technologies in the System of Present-Day Musical Education: An Attempt of Terminological Analysis | Abstract PDF (Russian) |
| Irina B. Gorbunova, Konstantin Yu. Plotnikov | ||
| 26 - 50 of 322 Items | << < 1 2 3 4 5 6 7 8 9 10 > >> | |