| Issue | Title | |
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Vsevolod Zaderatsky – a Composer with a Tragic Fate | Abstract PDF |
| Anton A. Rovner | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | What the Finch Sang About: Nature in the Narrative of Nikolai Sidelnikov’s Children’s Piano Album | Abstract PDF (Russian) |
| Elena A. Shefova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Where does Russian Music Begin? The Case of Mikhail Glinka in the Biographical Series of “The Lives of Wonderful People” | Abstract PDF (Russian) |
| Lyubov A. Kupets | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Wilhelm Friedemann Bach’s Clavier Concertos: Between the Baroque and the Classical Styles | Abstract PDF (Russian) |
| Dana A. Nagina, Arseny I. Ivanov | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Works for the Six-String Guitar by Soviet Composers From the 1930s to the 1960s | Abstract PDF (Russian) |
| Yuliya A. Finkelshtein, Evgeniy Yu. Finkelshtein | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | World War II in Music from Outside of Russia. Commemorating the 75th Anniversary of the Victory | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “Ach Golgatha!” by Karel Goeyvarts in the Aspect of Synthesis of Serialism, Aleatory Technique and Minimalism | Abstract PDF (Russian) |
| Anastasia V. Titova | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “Arkhangelsky and Baliev, Baliev and Arkhangelsky”: Notes about the Music in the Cabaret Theater “Letuchaya Mysh” | Abstract PDF (Russian) |
| Natela I. Enukidze | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | “Buddha Passion” by Tan Dun | Abstract PDF (Russian) |
| Xinjie Luo | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | “Folk Music Culture” as an Academic Discipline in the System of Secondary Vocational Education: Problems and Perspectives | Abstract PDF (Russian) |
| Varvara P. Kalyuzhnaya | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | “Il Mio Tesoro” by Wolfgang Amadeus Mozart: The Individual Features of Breath Control by Tenor Singers upon Performance of Vocalizations | Abstract PDF (Russian) |
| Vsevolod E. Kuzmin | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | “In Her Own Repertoire”: Ksenia Kourakina on the Stage of the Cameo Theater Krivoe Zerkalo [Distorted Mirror] | Abstract PDF (Russian) |
| Natela I. Enukidze | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | “Musical Rossica” as a Musicological Term | Abstract PDF (Russian) |
| Liudmila P. Kazantseva | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | “New Ballet Criticism” (1993–2003) About “Soviet” Ballet: Forms of Cultural Recycling | Abstract PDF |
| Lyubov A. Kupets | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | “Scenary Development of Musical Material” as a Method of Composition and Instruction Created by Ukrainian Composer Karmella Tsepkolenko | Abstract PDF |
| Oleksandr O. Perepelytsia | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | “The Feeling of the Right Path or the Method of Artistic Creativity”: About Nikolai Korndorf’s Composition In D | Abstract PDF |
| Yuliya N. Panteleeva | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “The Magic of Repetition” in Iraida Yusupova’s Music | Abstract PDF (Russian) |
| Yuliya N. Panteleeva | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “The Russian Element” in the Music on “the Russian Theme” by Composers from Outside Russian | Abstract PDF (Russian) |
| Liudmila P. Kazantseva, Polina S. Volkova | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | “The Specter of Drama in the Specter of Another Drama”: The Anamorphosis of the Singspiel and the Palimpsest Effect in Aspern by Salvatore Sciarrino | Abstract PDF |
| Anna G. Chupova | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “Treulicher Unterricht im General-Bass” by David Kelner: about the Primary Text of the Russian Translation | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | “Variations on Variations”: History of the Jazz Transformations of the Allegretto from Beethoven’s Seventh Symphony | Abstract PDF (Russian) |
| Inga A. Presnyakova | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | “War and Peace”: the Notional Paradigm. Following the Second International Scholarly Forum “Dialogue of the Arts and Artistic Paradigms” (“SCIENCEFORUM PAN-ART”) | Abstract PDF (Russian) |
| Oksana S. Barabash | ||
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