| Issue | Title | |
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Particularities of Comprehending the Concepts of “Performativity” and “Performance” in Contemporary Music Scholarship in Russia and Other Countries | Abstract PDF (Russian) |
| Vasily Yu. Kiseyev, Elena V. Kiseyeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Particularities of the Stage Interpretations of Piotr Tchaikovsky’s “Eugene Onegin” Directed by Eugene Aryeh in the Production of the Bolshoi Theater (2019) | Abstract PDF (Russian) |
| Elka Alkhateeb, Marina L. Zaitseva | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Performative Features of Steve Reich’s Documentary Musical Video Theater | Abstract PDF (Russian) |
| Alexandra V. Shornikova | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Phenomenon of Digitalizing Music as a Factor of New Sociocultural Transformations | Abstract PDF (Russian) |
| Anna V. Popova, Svetlana S. Gorokhova, Guzel M. Aznagulova, Marianna G. Abramova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Phenomenon of Freakishness in Russian Popular Music: Concerning the Study of the Problem | Abstract PDF |
| Yuliya V. Antipova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Possibilities and Prospects for the Use of Music Computer Technologies in Therapy Dealing with Psychogenic Disorders | Abstract PDF (Russian) |
| Marina N. Korsakova-Kreyn, Alexander I. Fedotchev | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | The Principle of Self-Contained Formation of the Musical Form: Functional and Semantic Aspects | Abstract PDF (Russian) |
| Natalia V. Devutskaya | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | The Principles and Methods of the Gnesins’ School of Musicology in the Study of the Kuban Traditional Music Culture | Abstract PDF |
| Svetlana A. Zhiganova | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Problem of Authorship in the Epoch of New Media. The Universal Digital Archive as a Source of Trans-Medial Transcriptions | Abstract PDF |
| Svetlana V. Lavrova | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | The Processes of Digitalization in Art and Creativity: Dialectics of Interconnection | Abstract PDF (Russian) |
| Nadezhda A. Tsareva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Prospects of Applying Artificial Intelligence in Musical Composition | Abstract PDF (Russian) |
| Marina V. Pereverzeva | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Recycling of Igor Stravinsky in the Journal “Sovetskaya Muzyka” During the Period of 1933–1966 | Abstract PDF (Russian) |
| Natalya A. Gorbunova | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Rhythm of Birds: A Programmatic Musical Composition about Living in Tanjung Malim | Abstract PDF |
| Junita Batubara | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Role of Screen Images in Meredith Monk’s Musical Performances | Abstract PDF (Russian) |
| Vasily Yu. Kiseyev | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Russian Music Society in the Far-Eastern Republic: Bonds of History | Abstract PDF (Russian) |
| Natalia I. Efimova, Alina I. Krapiva | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Scene of the Dramatic Culmination in The Tidings Brought to Mary, a Mystery Play by Paul Claudel, from the 1912 Edition. Organization of the Sound Space | Abstract PDF |
| Valentina V. Azarova | ||
| No 3 (2024): Russian Musicology | The Scholarly Activities of the Astrakhan State Conservatory | Abstract PDF |
| Liudmila V. Savvina | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Second Version of The Pskov Maid in the Context of Nikolai Rimsky-Korsakov’s Opera Legacy | Abstract PDF (Russian) |
| Maria V. Skuratovskaya | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Semantic Functions of the Musical Quotations in Luchino Visconti’s Film Vaghe stelle dellʼOrsa… | Abstract PDF (Russian) |
| Anastasia A. Komarova | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | The Semantic Structures of the Musical Text and Practical Semantics | Abstract PDF |
| Liudmila N. Shaymukhametova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Sentimentalist Features of Thomas Augustine Arne's Opera “Thomas and Sally” | Abstract PDF (Russian) |
| Elena V. Pankina, Anastasia S. Privalova | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Singing Intonation and the Physical Actions of an Opera Artist: an Interdisciplinary Analysis | Abstract PDF (Russian) |
| Elena N. Yarkova | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Small Contrapuntal Cycle in the Music of Paul Natorp | Abstract PDF |
| Polina S. Volkova, Shaoying Guo, Zehuan Huang | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | The Sonar Space of the Practices of Commemoration of Contemporary Museums | Abstract PDF (Russian) |
| Vera N. Dyomina | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | The Specificity of Self-Realization of Adolescents with the Musical Type of Giftedness | Abstract PDF (Russian) |
| Sergei I. Kudinov, Zulfiya R. Khayrova, Olga В. Mikhailova, Stanislav S. Kudinov, Irina B. Kudinova | ||
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