Full Issue
| View or download the full issue | FULL ISSUE № 2 2024 (Russian) |
Table of Contents
Musical Genre and Style
| Wilhelm Friedemann Bach’s Clavier Concertos: Between the Baroque and the Classical Styles | PDF (Russian) |
| Dana A. Nagina, Arseny I. Ivanov | 8-24 |
| Neo-Baroque Concertizing in the Works by Russian Composers of the Final Quarter of the 20th Century | PDF (Russian) |
| Maria N. Ostanina, Svetlana S. Goncharenko | 25-38 |
| About the Style of John Coolidge Adams’ Chamber Symphony. | PDF (Russian) |
| Elena A. Churilova | 39-54 |
Musical Theater
| Venice and Opera in the 18th Century | |
| Irina P. Susidko | 55-68 |
| The Image of Vienna in Johann Nepomuk Nestroy’s Opera Parody Robert der Teuxel | |
| Alexei A. Vlasov | 69-83 |
From the History of the Musical Culture of Russia
Cultural Heritage in Historical Perspective
| Boleslav L. Yavorsky’s Activities in Saratov: Following the Pages of the Archived Materials | |
| Irina V. Polozova | 100-110 |
| Scholarly and Academic-Methodological Activities of the Gnesins’ State Musical Pedagogical Institute and the Political Events of the Second Half of the 1940s | |
| Tatiana I. Naumenko | 111-121 |
Contemporary Musical Art
| Semantic and Structural Potential of Autoreferentiality in the Music of Bent Sørensen | PDF (Russian) |
| Ekaterina G. Okuneva | 122-137 |
| About Sacred Music by the Composers of the Gnesins’ House. | |
| Natalia S. Gulyanitskaya | 138-147 |
Choral Music
| Luigi Nono’s Works from the Late 1950s: The Emergence of a New Choral Style | |
| Alexander S. Ryzhinsky | 148-165 |
Musical Education
| Contrapuntal Compositions in the Form of Historical Dances in the Conditions of Ensemble Music-Making | |
| Liudmila N. Shaymukhametova | 166-177 |
In Memory of a Colleague
| About Mikhail Sergeevich Zalivadny (1946–2023) | PDF (Russian) |
| Irina B. Gorbunova | 178-179 |
Horizonts of Musicology
| The Trans-Disciplinary Approach to the Study of Musical Phenomena: The Information Theory and Its Impact on Various Fields of Musicology | PDF (Russian) |
| Irina B. Gorbunova, Mikhail S. Zalivadny | 180-199 |
Artistic Synthesis and the Interaction between the Arts
| Film Music and the Director’s Aesthetics: Concerning the Methodology of Film Text Analysis | |
| Yulia V. Mikheeva | 200-210 |
| Synaesthesia of Sergei Parajanov’s Works (a Director’s Musical and Artistic Consciousness) | |
| Polina S. Volkova | 211-222 |