Full Issue
View or download the full issue | FULL ISSUE № 3 2022 (Russian) |
Table of Contents
Cultural Heritage in Historical Perspective
The Golden Sequence: The History and Pre-History of the Term on the Pages of Russian Musical Guiding Manuals | PDF (Russian) |
Inga A. Presnyakova | 7-16 |
The Imperishable Johann Sebastian: Sapiens | PDF (Russian) |
Alexander I. Demchenko | 17-28 |
Ferruccio Busoni’s Doktor Faust: Features of the Aesthetics | PDF (Russian) |
Xiangze Wu | 29-44 |
Choral Music
Timbral Innovations in Heinz Holliger’s Choral Music: from Dona nobis pacem to Die Jahreszeiten | Без имени (Russian) PDF (Russian) |
Alexander S. Ryzhinsky | 45-58 |
Sacred Music
Towards the Ontology of Orthodox Christian Art | PDF (Russian) |
Galina V. Alekseeva | 59-69 |
International Division
Interview with Composer and Pianist Sergei Oskolkov | PDF (Russian) PDF |
Anton A. Rovner | 70-77 |
Play: A Historical and Cultural Approach | |
Ekaterina I. Vasileva | 78-86 |
Rhyme and Rappability: Synthetic Isochrony in Russian and English on the Example of Lermontov | |
Thomas Beavitt | 87-108 |
Musical Cultures of Russia
A Retrospective Analysis of the Song Genres of Russian Folk Music | PDF (Russian) |
Mikhail S. Zhirov, Natalia S. Kuznetsova, Olga Ya. Zhirova, Larisa A. Kinash | 109-119 |
Area Studies in Music
Operetta Theater in the Far East in the Period between Two Wars (1906–1914) | PDF (Russian) |
Izabella I. Krylovskaya | 120-132 |
Music Theory
The Principle of Self-Contained Formation of the Musical Form: Functional and Semantic Aspects | PDF (Russian) |
Natalia V. Devutskaya | 133-154 |
Le marteau sans Maître by Pierre Boulez as a System of Cycles | PDF (Russian) |
Natalia P. Khilko | 155-170 |
Artistic Synthesis and the Interaction between the Arts
Music in Cinema (Concerning the Question of the Inner Form of the Cinematic Text in the Aspect of Affectability) | PDF (Russian) |
Polina S. Volkova | 171-183 |
Musical Education
Sound Design as an Educational Trend of Higher Education: Issues and Perspectives | PDF (Russian) |
Irina B. Gorbunova, Svetlana V. Mezentseva | 184-195 |
About Pedagogical Innovations in the Context of the Metamorphoses of Contemporary Musical Culture | PDF (Russian) |
Galina R. Taraeva | 196-208 |