«Russian Passions» of Alexey Larin: To the Problem of Genre

Ljudmila P. Kazantseva

Abstract


The article is dedicated to an original interpretation of the genre of passions by contemporary Moscow composers Alexey Larin in his oratorio «Russian Passions» for soloists, choir and percussion instruments with organ on the texts from the New Testament, Russian folk and church texts (1993-1994). While underlying the fundamentals of the genre of Passion (passions), composer refracts them through the prism of the traditions of Russian music. Continuing the line of M. Mussorgsky, going through the choral creations of G. Sviridov and V. Gavrilin, Y. Butsko and V. Kalistratov, A. Larin goes on a fruitful path of evolution of the genre and the Russian sacred music. Inscribed in Russian musical culture, combining domestic orthodox, folk and theatrical traditions, «Russian passions» helped the composer to treat the Evangelical events as a part of a great sacred culture of Man.

Keywords: Alexey Larin, Russian Passion, genre, chorus, theatricality, action


Full Text:

PDF (Russian)

References


Ларин А. Композиторские заметки // Выплывет ли град Китеж? Композитор Алексей Ларин. Материалы к творческой биографии. – М., 2009.

Медведева И. Уж если петь – то хором! // Парламентская газета. –2001. – 9 февраля.

Рожкова Т. Искусство быть понятым // Музыкальная академия. –1996. – № 2. – С. 16–19.


Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.