Russian Poteshki by V. Bibergan and Poteshki by A Byzov: The Specificity of Imaginary and Dramaturgic Realization

Anna A. Manchenko

Abstract


On the example of the analysis of two works which were written on the basis of the rare folklore genre of poteshki (“leisure songs”) the attempt was made to determine their genre specification. The author analyzed the aspects of interpretation of the literary text, of musical intonation, form building, and the use of virtuosic methods of playing Russian national instruments.

Keywords: Russian folk instruments, Russian folklore, composers of the Urals region, poteshki, children’s elementary musical education


Full Text:

PDF (Russian)

References


Аксюк С. На концерте оркестра им. Н. П. Осипова // Советская музыка. – 1956. – № 6. – С. 129.

Биберган В. К вопросу классификации ударных // Вопросы оркестровки: тр. ГМПИ им. Гнесиных / ред.-сост. Г. Дмитриев. – М., 1980. – Вып. 47. – С. 23–41.

Вильнер Н. Зрелость // Советская музыка. – 1978. – № 12. – С. 28–33.

Композитор Вадим Биберган рассказывает… // Народник. – 2003. – № 3. – С. 9–21.

Кон И. Ребёнок и общество. – М., 1988.

Народное музыкальное творчество: учебник / отв. ред. О. Пашина. – СПб., 2005.

Система детского музыкального воспитания Карла Орфа / ред. Л. Баренбойм. – Л., 1970.


Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.