The “Personal” Homage-Concertos by Efrem Podgaits: Concerning the Problem of Interpretation of the Genre

Galina A. Rubakhina


The article is devoted to disclosing the peculiarities of the interpretation by composer Efrem Podgaits of the “personal” homage-concertos, most notably, those qualities of thematicism and the methods of its development, of form and dramaturgy which direct the listener’s attention to realizing the composer’s main idea. The result of this study is disclosure of the fundamental constants of the individualized version of the concerto genre.

Keywords: Efrem Podgaits, the homage-concertos, poly-form, modification, poly-variant

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