Опера в зеркале российской научной периодики последних пяти лет
Аннотация
В статье оценивается современное состояние исследований, посвящённых опере, в российской научной периодике и их соотношение с публикациями в зарубежном музыковедении. Материалом для анализа стали более 200 статей из 18 отечественных журналов, а также ряд англоязычных работ. В результате удалось выявить несколько приоритетных аспектов рассмотрения оперы. Сделаны выводы о расширении хронологических и географических рамок в отечественных исследованиях, что соответствует общемировой тенденции. Вместе с тем, как показал анализ, российские музыковеды, в отличие от зарубежных, значительно меньше внимания уделяют классико-романтическому наследию, считая его достаточно изученным, и отдают предпочтение старинным и новейшим сочинениям. Важное место в отечественной науке об опере в текущий момент занимают источниковедческие работы, рецептивистика и либреттология — области, тесно связанные с потребностями подготовки научно оснащённых изданий и исполнений оперных сочинений. Особое внимание уделено статьям, в которых опера становится объектом теоретического анализа. В этом российское музыковедение также идёт в ногу с зарубежным. Все эти наблюдения позволили прийти к выводу, что в настоящее время доминируют те направления в исследовании оперы, которые ранее по разным причинам находились вне поля зрения учёных. Российская наука об опере переживает период деконструкции целого ряда шаблонных оценок, заполнения белых пятен, что создаёт основу для новых подходов к интерпретации оперного наследия и актуального музыкально-театрального процесса.
Ключевые слова: опера, российское музыковедение, научные музыковедческие журналы, новейшие публикации об опере, рецепция оперных сочинений
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DOI: http://dx.doi.org/10.56620/2782-3598.2023.4.142-164
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