Full Issue
View or download the full issue | FULL ISSUE № 4 2022 (Russian) |
Table of Contents
Cultural Heritage in Historical Perspective
The Imperishable Johann Sebastian: Dramatik | PDF (Russian) |
Alexander I. Demchenko | 7-21 |
Music Scholarship in the Context of Culture
Soviet Musicology: Pro et Contra. Work on Archival Materials from the Soviet Era | PDF (Russian) |
Tatiana I. Naumenko | 22-37 |
Major Trends in the Development of Choral Music by the Western European Avant-Garde of the 1960s | PDF (Russian) |
Alexander S. Ryzhinsky | 38-52 |
Author Function in the Poetics of Contemporary Music | PDF (Russian) |
Yuliya N. Panteleeva | 53-65 |
About Claude Debussy’s Harmony. Some Aspects of Tonality | PDF (Russian) |
Vitaly V. Aleev | 66-75 |
Swing Era’s Jazzing the Classics: Pro et Contra | PDF (Russian) |
Inga A. Presnyakova | 76-86 |
International Division
Early Italian Opera Within the Labyrinths of Postmodernity | |
Pavel V. Lutsker, Irina P. Susidko | 87-95 |
Electronic Music in St. Petersburg: An Overview. Interview with Composer Alexander Kharkovsky | PDF (Russian) PDF |
Anton A. Rovner | 96-109 |
The Listener and the Work as the Dualistic Basis for the Morphological Analysis of Music | |
Valery V. Glivinsky | 110-126 |
Musical Theater
Interpretation of Genre in Tan Dun’s Opera Nine Songs | PDF (Russian) |
Elena V. Kiseyeva, Vasily Yu. Kiseyev | 127-135 |
Theory and History of Culture
Mass Culture of the Postmodern Epoch in Light of the Philosophy of Postmodernism | PDF (Russian) |
Nadezhda A. Tsareva | 136-146 |
Modern Education and Music Scholarship
The Art of Academic Music in the Context of Academization | PDF (Russian) |
Dmitri I. Varlamov | 147-155 |
What the Finch Sang About: Nature in the Narrative of Nikolai Sidelnikov’s Children’s Piano Album | PDF (Russian) |
Elena A. Shefova | 156-166 |