Full Issue
| View or download the full issue | FULL ISSUE № 2 2022 (Russian) |
Table of Contents
Horizonts of Musicology
| The Origins of Musicology: The Ancient World and Antiquity | PDF (Russian) |
| Alexander I. Demchenko | 7-22 |
Dialogue of Cultures
| Ethnojazz in the Context of the Folklore Culture: Problematic Aspects of Hybridization | PDF (Russian) |
| Sergei S. Sokovikov, Elena A. Kaminskaya | 23-33 |
| “Variations on Variations”: History of the Jazz Transformations of the Allegretto from Beethoven’s Seventh Symphony | PDF (Russian) |
| Inga A. Presnyakova | 34-42 |
Artistic Synthesis and the Interaction between the Arts
| The Semantic Functions of the Musical Quotations in Luchino Visconti’s Film Vaghe stelle dellʼOrsa… | PDF (Russian) |
| Anastasia A. Komarova | 43-51 |
| “Buddha Passion” by Tan Dun | PDF (Russian) |
| Xinjie Luo | 52-63 |
Contemporary Musical Art
| Avant-Garde Scores as a Subject of Artistic Interpretation in Modern Rock Music | PDF (Russian) |
| Anastasiya Yu. Slobodchikova | 64-73 |
The Creative Worlds of Musical Compositions
| The Culminating Finale in Paul Hindemith’s Symphony The Harmony of the World | PDF (Russian) |
| Olga V. Shmakova | 74-82 |
Theory and Practice of Pedagogical Science
| The Base as an Indispensable Didactic Instrument in Remote and Classroom-Based Formats of Teaching | PDF (Russian) |
| Valery E. Steinberg, Dina R. Fatkhulova | 83-93 |
International Division
| The Small Contrapuntal Cycle in the Music of Paul Natorp | |
| Polina S. Volkova, Shaoying Guo, Zehuan Huang | 94-103 |
| Bertoldo, Bertoldino e Cacasenno: the Original Score Examined | |
| Pavel V. Lutsker | 104-122 |
| Topoi and Narratives in Classical Instrumental Music: Ideen and il filo in Mozart’s Clavier Sonata KV 311/284c | |
| Irina P. Susidko | 123-133 |
| The Scene of the Dramatic Culmination in The Tidings Brought to Mary, a Mystery Play by Paul Claudel, from the 1912 Edition. Organization of the Sound Space | |
| Valentina V. Azarova | 134-145 |
| Musical Communication in the Aspect of Rhetorical Canon | |
| Polina S. Volkova, Liyang Wu, Xiangze Wu | 146-158 |