Full Issue
View or download the full issue | FULL ISSUE № 3 2021 (Russian) ABSTRACTS CONTRIBUTORS |
Table of Contents
Horizonts of Musicology
Musicology: “Knowledge about Lack of Knowledge” – Setting and Solving Problems | PDF (Russian) |
Natalia S. Gulanitskaya | 7-18 |
History and Theory of Culture
The Industrialization of Musical Culture as a Pattern of Contemporary Society | PDF (Russian) |
Natalia A. Malshina | 19-27 |
“Arkhangelsky and Baliev, Baliev and Arkhangelsky”: Notes about the Music in the Cabaret Theater “Letuchaya Mysh” | PDF (Russian) |
Natela I. Enukidze | 28-42 |
Works for the Six-String Guitar by Soviet Composers From the 1930s to the 1960s | PDF (Russian) |
Yuliya A. Finkelshtein, Evgeniy Yu. Finkelshtein | 43-51 |
Music in the System of Culture
The Particularities of Comprehending the Concepts of “Performativity” and “Performance” in Contemporary Music Scholarship in Russia and Other Countries | PDF (Russian) |
Vasily Yu. Kiseyev, Elena V. Kiseyeva | 52-62 |
Acousmatic Sound in Multimedia Installations | PDF (Russian) |
Alexandra V. Krylova | 63-75 |
The Phenomenon of Digitalizing Music as a Factor of New Sociocultural Transformations | PDF (Russian) |
Anna V. Popova, Svetlana S. Gorokhova, Guzel M. Aznagulova, Marianna G. Abramova | 76-85 |
International Division
The Semantic Structures of the Musical Text and Practical Semantics | |
Liudmila N. Shaymukhametova | 86-96 |
Mozart’s Sinfonia Concertante, K. 364: An Enlightened Operatic Reading | |
Roberto Alonso Trillo | 97-111 |
Maria Zaitun: The Journey from a Novel to Razak Abdul Aziz’s Opera | |
Junita Batubara, Sri Rustiyanti, Stepanus Hanggar Budi Prasetya | 112-122 |
A Multimodal Analysis of Hommage à Marina Tsvetayeva by Sofia Gubaidulina | |
Natalya V. Koshkareva | 123-136 |
Reviews
Along the Path of Spiritual Self-Knowledge. About Valentina Kholopova’s Monograph “Sofia Gubaidulina” | PDF (Russian) |
Nino O. Barkalaya | 137-144 |
Russian Music History
The Second Version of The Pskov Maid in the Context of Nikolai Rimsky-Korsakov’s Opera Legacy | PDF (Russian) |
Maria V. Skuratovskaya | 145-153 |
History of Western Music
“The Russian Element” in the Music on “the Russian Theme” by Composers from Outside Russian | PDF (Russian) |
Liudmila P. Kazantseva, Polina S. Volkova | 154-166 |
The Order of Grace in Francis Poulenc’s Dialogues of the Carmelites | PDF (Russian) |
Valentina V. Azarova | 167-174 |
Musical Theater
Sound Drama: Stylistic Features and the Experience of Presentation in Early 21st Century Russian Art | PDF (Russian) |
Marina L. Zaitseva, Yankelika I. Sushkova-Irina, Anatoly V. Budanov | 175-184 |
The Mozart Tradition in Mintay Tleubayev’s Ballet Productions for Children | PDF (Russian) |
Damir D. Urazymbetov | 185-193 |