Full Issue
| View or download the full issue | FULL ISSUE № 3 2020 (Russian) Abstracts Contributors |
Table of Contents
Horizonts of Musicology
| Musical Ekphrasis and the Prospects of Intermedial Research | PDF (Russian) |
| Tatiana V. Tsaregradskaya | 7-16 |
| Musical Scales with Pythagorean Intervals | PDF (Russian) |
| Sergei S. Nikolsky | 17-23 |
| Computer Musical Technologies in the Development of Methods of Correction of Human Beings’ Stress Induced Conditions | PDF (Russian) |
| Alexander I. Fedotchev | 24-29 |
Theory and History of Culture
| The Anthropomorphic Qualities of Technology in the Postmodern and Post-Postmodern Culture | PDF (Russian) |
| Nadezhda A. Tsareva | 30-42 |
| Particular Features of the Theater Poster in Bashkiria in the Early 20th Century | PDF (Russian) |
| Mars L. Akhmadullin, Elza E. Purik, Vilur R. Shakirov, Marina G. Shakirova | 43-54 |
Music in the System of Culture
| Antonio Vivaldi’s “The Seasons” in the Reinterpretation of British Minimalist Composer Max Richter | PDF (Russian) |
| Alina R. Izergina, Irina V. Alexeyeva | 55-64 |
| Sampling as a Process of Integration of New Technologies in the Musical Culture of Kazakhstan | PDF (Russian) |
| Olzhas M. Baibekov, Meruert S. Kurmangalieva | 65-76 |
| The Role of Screen Images in Meredith Monk’s Musical Performances | PDF (Russian) |
| Vasily Yu. Kiseyev | 77-85 |
Musical Theater
| Vladimir Dukelsky’s London Productions of the Second Half of the 1920s: From the Ballet a la Russe – To the English Thriller | PDF (Russian) |
| Antonina S. Maksimova | 86-95 |
| Screen Images in Contemporary Opera: Concerning the Issue of the Genre’s Renewal at the Turn of the 20th and 21st Centuries | PDF (Russian) |
| Elena V. Kiseyeva | 96-102 |
International Division
| Model and Concept in the Music Paradigm of Creativity | |
| Bambang Sunarto | 103-113 |
| Opera Criticism in Russia in the Early 21st Century: Constructing the (Non-) Soviet Style | |
| Lyubov A. Kupets | 114-127 |
Music Education in Russian Regions
| Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East | PDF (Russian) |
| Sergei N. Skorinov, Yana St. Kryzhanovskaya | 128-143 |
| The Culturological Aspects of the Pedagogue Musician’s Professional Training in Cultural Higher Educational Institutes of the Russian Far East | PDF (Russian) |
| Evgeniya V. Savelova, Nina Ph. Semyonova, Alexei V. Tyurin | 144-156 |
| The Particular Features of Students’ Scholarly-Research and Artistic Activities from the 1960s to the 1980s by the Example of the Ufa State Institute for the Arts | PDF (Russian) |
| Mars L. Akhmadullin, Elvira D. Khadimullina, Ruslan R. Khadimullin | 157-167 |
Information Technology in Music Education
| Computer Music Technologies in the System of Present-Day Musical Education: An Attempt of Terminological Analysis | PDF (Russian) |
| Irina B. Gorbunova, Konstantin Yu. Plotnikov | 168-181 |
| About Instruments for Extending the Informational Space of the Artistic Higher Educational Institution | PDF (Russian) |
| Svetlana V. Mezentseva | 182-191 |
Interdisciplinary Studies in the Music and Psychological Sciences
| The Specificity of Self-Realization of Adolescents with the Musical Type of Giftedness | PDF (Russian) |
| Sergei I. Kudinov, Zulfiya R. Khayrova, Olga В. Mikhailova, Stanislav S. Kudinov, Irina B. Kudinova | 192-203 |
History and Theory of Music
| Letters to London: New Material about Sergei Rachmaninoff’s First Performance Outside of Russia | PDF (Russian) |
| Vera B. Valkova | 204-218 |
| Transformation of Orchestration in Rachmaninoff’s Rhapsody on a Theme of Paganini and Jazz Idioms | PDF (Russian) |
| Vadim Rakochi | 219-230 |