Full Issue
| View or download the full issue | FULL ISSUE № 1 2020 (Russian) ABSTRACTS CONTRIBUTORS |
Table of Contents
Horizonts of Musicology
| Early Russian Chant and Contemporary Compositions: A Typology of Conjugacy | PDF (Russian) |
| Elena E. Lobzakova | 7-14 |
The Creative Worlds of Musical Compositions
| Formal Constraint as an Artistic Principle in Hans Abrahamsen’s Vocal Cycle “Let Me Tell You” | PDF (Russian) |
| Ekaterina G. Okuneva | 15-28 |
| Interpretation of René Char’s Poetry in Pierre Boulez’s “Le Marteau sans Maître” | PDF (Russian) |
| Natalia P. Khilko | 29-42 |
| The Artistic Space of the Musical-Liturgical Synthesis in Alfred Schnittke’s Second and Fourth Symphonies | PDF (Russian) |
| Maria V. Dolmatova | 43-49 |
Musical Theater
| The Sentimentalist Features of Thomas Augustine Arne's Opera “Thomas and Sally” | PDF (Russian) |
| Elena V. Pankina, Anastasia S. Privalova | 50-59 |
| Archaic Narrative Motives in Mozart’s “The Magic Flute” | PDF (Russian) |
| Olga M. Plotnikova | 60-69 |
Musical Cultures of Russia
| Concerning the Issue of Sonic Semantics of Traditional Saami Musical Instruments | PDF (Russian) |
| Igor V. Soloviev | 70-80 |
| About the Manifestation of the Comical Element in Bashkir National Opera | PDF (Russian) |
| Gulnaz S. Galina | 81-88 |
International Division
| Society as the Paradigm of 20th Century Art (on the Materials of Sergei Prokofiev’s Music) | |
| Alexander I. Demchenko | 89-100 |
| “Scenary Development of Musical Material” as a Method of Composition and Instruction Created by Ukrainian Composer Karmella Tsepkolenko | |
| Oleksandr O. Perepelytsia | 101-109 |
| Music and Creativity as Educational Strategies for Sociability. Group Dynamics with Students Pursuing Educational Degrees from the Francisco de Vitoria University in Madrid | |
| Fidel Rodríguez Legendre, Gemma Ruiz Varela | 110-121 |
Music in the System of Culture
| Traditions and Innovation in the Performance Practice of Jazz Violinists of the Turn of the 20th and 21st Centuries Joe Venutti and David Goloshchekin | PDF (Russian) |
| Marina L. Zaitseva, Regina R. Budagyan, Alexei I. Chekmenev | 122-129 |
Area Studies in Music
| The Musical Culture of Saratov in the First Quarter of the 20th Century and Feodor Palchinsky’s Activities | PDF (Russian) |
| Irina V. Polozova | 140-150 |
Contemporary Musical Art
| Features of Intertextuality in the Musical Oeuvres of Alexander Bakshi | PDF (Russian) |
| Olga A. Putecheva | 151-157 |
Musical Genre and Style
| Transcriptions of Symphonic Music in the Repertoires of Folk Musical Instrument Orchestras: A Historical Overview | PDF (Russian) |
| Mikhail S. Kopyryulin | 158-170 |
| Transformations of the Russian Song Culture During the 1990s (the Regional Aspect) | PDF (Russian) |
| Olga S. Ilyicheva, Elena V. Komissarova, Galina P. Kibasova | 171-176 |
Musical Education
| The Musical Text of Western European Baroque Instrumental Music in an Analytical Reevaluation by the Student-Performer of Institutions of Higher Education | PDF (Russian) |
| Irina V. Alexeyeva | 177-193 |
| About Nina Khlebnikova’s Authorial Methods in Teaching Music Theory Disciplines to Wind Players | PDF (Russian) |
| Olga I. Kulapina | 194-204 |