Cinema Music in Uzbekistan in the Context of the Issue of Synthesis of the Arts

Abstract

Abstract. The visual interpretation of the cinematic image by means of the art of music has
evolved into a special sphere of compositional activities. Endowed with an applied meaning, movie
music has developed certain particular tendencies and parameters of genre and style, which resulted
in the formation of a complex system of functioning of its illustrative features. Correspondingly
the spectrum of interaction of music with the visual depiction is wide and diverse. The technical
particular features of creating cinematic works have created in impact on the formation of new
forms of interactions between the various expressive means. The experience of working with
applied genres has brought to the formation in the Uzbek compositional school of a peculiar national
artistic language, style and innovations in the realm of rhythm, texture, harmony, etc. The synthesis
of the arts, which mutually enriches itself, has created a broad field for the composer’s fantasy, for
expressing his or her ideas and worldview positions. The role of music in movie replication (the
making of animated cartoon) is determined not only by its aesthetical qualities, but also by the
possibility of interacting with the video sequence.
The general tendencies, the artistic style and the characteristic features of the music in the
making of animated cartoons in Uzbekistan are determined by the aesthetical directedness of
artistic activity, the reliance on traditional music and the derivation of the principles of musical
development from it (improvisational structure and meditative technique).

Keywords: applied genres, audio sequence, cinema music, music and multiplication