The Complex Model of the Semantic Space of Music: Structure and Features
Abstract
The article examines the complex model of the semantic space of music which developed
in music scholarship in the second half of the 20th century as the result of a generalization of
theoretic developments connected with the study of the fundamental categories of musical space
and time. On the basis of a number of systemological research works relying on the application
of an apparatus of present-day mathematics, the authors of the article examine substantial
elements which characterize the structural foundation of the model, the unity of its constituent
parts and the open character of the entire model as a system. These include the functional
dependence between the model’s components, the presence of elements of indeterminacy in
its construction and the concrete figurative content, as well as the reflection of the temporal
parameters of music on the basis of the processes of simultaneous registry occurring in musical
perception. The authors examine in detail such elements of the structure of the complex model of
the semantic space of music as the association of dimensions of time, the functional dependence
between the associations of dimensions, the variability of the structure of the dimensions and
their associations, as well as computer music technologies as an instrument of research of the
semantical space of music. The most important tendencies of applying the given apparatus with
the participation of computer musical technologies are marked to be the following: modeling
of the regularities of the musical creative process, systematization of the musical traditions of
the peoples of Russia and the world, research of the synesthetic laws in music, a comprehensive
study of the process of music history and its components, as well as the problem range of the
gateway of the concrete results of music into other fields of knowledge and into their practical
application.
Keywords: music and mathematics, computer musical technologies, musical education,
semantic space of music, synesthesia, synthesis of the arts, music theory.
Full Text:
PDF (Russian)References
Alieva I. G., Gorbunova I. B. O proekte sozdaniya intellektual'noy sistemy po katalogizatsii i analizu muzyki narodov mira [About the Project of Creating an Intellectual System for Cataloging and Analyzing the Music of the Peoples of the World]. Obshchestvo: filosofiya, istoriya, kul'tura [Society: Philosophy, History, Culture]. 2016. No. 9, pp. 105–108.
Alieva I. G., Gorbunova I. B., Mezentseva S. V. Muzykal'no-komp'yuternye tekhnologii kak instrument translyatsii i sokhraneniya muzykal'nogo fol'klora (na primere Dal'nego Vostoka Rossii) [Musical Computer Technologies as an Instrument of Transmission and Preservation of Musical Folklore (by the Example of the Russian Far East)]. Problemy muzykal'noj nauki / Music Scholarship. 2019. No. 1, pp. 140–149. DOI: 10.17674/1997-0854.2019.1.140-149.
Zaytsev V. F. Matematicheskie modeli v tochnykh i gumanitarnykh naukakh [Mathematical Models in Exact Sciences and Humanitarian Disciplines]. St. Petersburg: Knizhnyy dom, 2006. 111 p.
Zalivadnyy M. S. Muzykal'nye mnozhestva variativnoy struktury: istoricheskie obobshcheniya i vozmozhnosti primeneniya [Musical Sets of Variable Structures: Historical Generalizations and Possibilities of Application]. Sovremennoe muzykal'noe obrazovanie – 2018: materialy XVII Mezhdunar. nauch.-prakt. konf. [Contemporary Music Education – 2018: Materials of the 17th International Scholarly-Practical Conference]. Herzen State Pedagogical University of Russia. St. Petersburg, 2019, pp. 151–155.
Ignat'ev M. B., Makin A. I. Lingvo-kombinatornoe modelirovanie muzyki [Lingual- Combinatorial Modeling of Music]. Sovremennoe muzykal'noe obrazovanie – 2018: materialy XVII Mezhdunar. nauch.-prakt. konf. [Contemporary Music Education – 2018: Materials of the 17th International Scholarly-Practical Conference]. Herzen State Pedagogical University of Russia. St. Petersburg, 2019, pp. 121–139.
Kompleksnaya model' semanticheskogo prostranstva muzyki: sb. st. [A Complex Model of the Semantic Space of Music: Compilation of Articles]. Compilation by I. B. Gorbunova, M. S. Zalivadny, I. O. Tovpich. St. Petersburg: Publishing House of the Herzen State Pedagogical University of Russia, 2016. 183 p.
Lukach D. Svoeobrazie esteticheskogo. T. 1–4 [Originality of the Aesthetic Element. Vol. 1–4]. Moscow: Progress, 1985–1987. Vol. 1. 336 p.; Vol. 2. 468 p.; Vol. 3. 304 p.; Vol. 4. 574 p.
Gorbunova I. B. The Integrative Model for the Semantic Space of Music and a Contemporary Musical Educational Process: The Scientific and Creative Heritage of Mikhail Borisovich Ignatyev. Laplage em Revista. 2020. Vol. 6, pp. 2–13.
Gorbunovа I. B., Zalivadny M. S. Leonhard Еuler’s Theory of Music: Its Present-Day Significance and Influence on Certain Fields of Musical Thought. Problemy muzykal'noj nauki / Music Scholarship. 2019. No. 3, pp. 104–111. DOI: 10.17674/1997-0854.2019.3.104-111.
Gorbunova I. B., Zalivadny M. S. The Integrative Model for the Semantic Space of Music: Perspectives of Unifying Musicology and Musical Education. Problemy muzykal'noj nauki / Music Scholarship. 2018. No. 4. С. 55–64. DOI: 10.17674/1997-0854.2018.4.055-064.
Jiránek J. Houslový koncert Albana Berga. Hudební věda. 1977. Č. 1. S. 3–50.
Kurth E. Musikpsychologie. Berlin: Max Hesse, 1931. 323 S.
Schoenberg A. Harmonielehre. Leipzig: Edition Peters, 1977. 504 S.
Stockhausen K. Kompositionskurs ueber Sirius. Kürten, 2000. 121 S.
Xenakis I. Musiques formelles. La Revue musicale. No. 253/254. Paris: Fayard/Sacem, 1981. 212 p.
DOI: http://dx.doi.org/10.33779/2587-6341.2020.4.020-032
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.